Donald Gramm

In celebration of Hispanic Heritage Month, mezzo-soprano Gabriela Flores, a member of the Los Angeles Opera Young Artist Program, partners with guitarist Gilberto Amara for a “Living Room Recital” of Mexican songs on the Los Angeles Opera website. San Francisco Opera’s online streaming of of Verdi’s Attila features Ferruccio Furlanetto.

Roosevelt University's Chicago College of Performing Arts (CCPA) will mark 150 years of its music conservatory and the 20th anniversary of its theatre conservatory on March 14 at the University's Auditorium Theatre.

The New York Philharmonic will celebrate its 175th birthday with a subscription program led by former Music Director Alan Gilbert; nearly 100 historic radio broadcast performances released for streaming for the first time; a New York Philharmonic Digital Archives release of all of the Orchestra's archival material from the 19th century; a New York Philharmonic Archives exhibit, The New York Philharmonic at 175: A History of Innovation; and a free Insights at the Atrium event, 'Inside the Orchestra: Yesterday, Today, and Imagining the Future,' with Philharmonic musicians.

Opera at Caramoor (photo: Gabe Palacio) This summer marks not only the 20th anniversary, but also the final season of 'Bel Canto at Caramoor,' the program founded by Director of Opera Will Crutchfield to champion neglected bel canto operas and re-interpret familiar ones. To honor the program's legacy, Caramoor launches the summer season with a gala selection of bel canto's greatest hits in 'A Night of Italian Opera' (June 17) and presents a semi-staged account of Bellini's first bel canto masterpiece, Il pirata (July 8). Mounted in the superb acoustics of the outdoor Venetian Theater on Caramoor's idyllic Westchester estate, both events feature the resident Orchestra of St. Luke's and showcase the exceptional artistry of 2017 Artist-in-Residence Angela Meade - 'the most talked-about soprano of her generation' (Opera News) - who first catapulted to national attention in the title role of Bellini's Norma at Caramoor seven years ago. For full details of this summer's operatic offerings at Caramoor, click here.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.