Daniel Paget

Carol Wincenc 50th Anniversary: It's Golden!, a three-concert series that celebrates the acclaimed flutist's half-century onstage, continues with its second event, 'Only at Merkin with Terrance McKnight: Carol Wincenc,' part of the Merkin Hall series hosted by the WQXR evening host, on Sunday, February 23, 2020, at 5:00 pm.

Sex T­-Rex, Toronto's hottest comedic theatre company, teams up with the Storefront Theatre for a double bill of old school cinematic entertainment and adventure. Watch out WIldkat! and Swordplay, both award-winning comedies by Sex T-­Rex, run March 11th ­- 27th.

Sex T­-Rex, Toronto's hottest comedic theatre company, teams up with the Storefront Theatre for a double bill of old school cinematic entertainment and adventure. Watch out WIldkat! and Swordplay, both award-winning comedies by Sex T-­Rex, run March 11th ­- 27th.

Carol Wincenc's 25th Anniversary Recital at The Juilliard School, taking place tonight, September 30, 2013, at 8:00 PM at the Peter Jay Sharp Theater, features Debussy's Sonata for flute, viola, and harp, L. 137; the world premiere of Yuko Uebayashi's Misericordia for flute and string quartet, a work written for Wincenc; the U.S. premiere of Schnittke's Moz-Art a la Mozart for eight flutes and harp; the New York premiere of Henze's I Sentimenti di Carl Philipp Emanuel Bach for solo flute, solo harp, double string quartet, and bass; and an arrangement by Daniel Paget: One Hundred Roses: Seven Neapolitan Serenades and Dances for flute, strings, mandolin, guitar, and percussion.

Carol Wincenc, the Grammy-nominated artist who is one of the most acclaimed and respected flutists performing today, marks her 25th anniversary as a member of the faculty of The Juilliard School in the 2013-14 season. She is celebrating the milestone with a concert at Juilliard that represents her most cherished facets of artistic life: new music, with the world premiere of a work written for her, and the U.S. and New York premieres of works by Alfred Schnittke and Hans Werner Henze; collaboration with her esteemed colleagues, with every work on the program requiring at least two guest artists; and, of course, teaching some of the best young flutists in the world who pass through Juilliard, with seven of her Juilliard students joining her on the program.