Chris Caron

Gallery rocks Brooklyn once again as it kicks off Season 48 with the Tony Award and Pulitzer Prize-winning Next to Normal, today, September 13-October 5.

Gallery rocks Brooklyn once again as it kicks off Season 48 with the Tony Award and Pulitzer Prize-winning Next to Normal, September 13-October 5. Written by If/Then collaborators Tom Kitt and Brian Yorkey, this groundbreaking rock musical tells the story of a mother struggling with bipolar disorder, and the effect it has on her family.

A reading of Mark Jason Williams' Straight Faced Lies will be presented on June 16 at 7 p.m. The reading will take place at the TADA Theater, 15 West 28th Street, in New York City. Reservations are not required.

The Gallery Players will present its first musical of the season with Company, running tonight, Oct. 20 - Nov. 11, 2012. The theater is also launching a new talk back series during the production called Gallery Talks.

The Gallery Players will present its first musical of the season with Company, running Oct. 20 - Nov. 11, 2012. The theater is also launching a new talk back series during the production called Gallery Talks.

In its 21st Anniversary Gala, SpeakEasy Stage Company of Boston pays tribute to Alice Ripley, the Tony Award-winning star of 'Next to Normal,' the 2010 Pulitzer Prize-winning musical currently performing at SpeakEasy Stage in an extended run through April 22.

Due to demand, SpeakEasy Stage Company is adding a seventh and final week of performances for its production of the groundbreaking musical NEXT TO NORMAL. The show will now play thru Sunday, April 22, after which it must close. Tickets for these new dates go on sale Wed., March 28 at 9am (online) and noon (phone and walk-up).

SpeakEasy Stage Company of Boston mounts a stirring, if not completely satisfying, production of the Pulitzer Prize-winning musical that explores an average family's attempts to deal with the shattering effects of mental illness

Beginning March 9, SpeakEasy Stage will present the Boston premiere of NEXT TO NORMAL. Get a first look at the production below!

Quintessence Theatre Group presents Shakespeare's HENRY V to be directed by Alexander Burns. The production will start previews on Wednesday, September 22 at 7pm and open on Saturday, September 25 at 8pm.

Quintessence Theatre Group presents Shakespeare's HENRY V to be directed by Alexander Burns. The production will start previews on Wednesday, September 22 at 7pm and open on Saturday, September 25 at 8pm.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).