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A. Sean O'Connell Headshot

A. Sean O'Connell

A. Sean O'Connell is a theatre professional with credits tracked on BroadwayWorld.

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Nashville's Theater Calendar 4/25/16
by Jeffrey Ellis - Apr 25, 2016

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Nashville Children's Theatre's SCOT COPELAND Dies
by Jeffrey Ellis - Feb 25, 2016

Scot Copeland, longtime producing artistic director of Nashville Children's Theatre and one of the world's leading proponents of theater for younger audiences, died during the overnight hours of February 25 from an apparent heart attack. He is survived by his wife, Rene Dunshee Copeland, producing artistic director of Nashville Repertory Theatre, his two sons, many family members and countless 'chosen family' and friends all over the world.
CRITICS' CHOICE: What's Happening This Week?
by Jeffrey Ellis - May 26, 2015

Disney's Newsies will claim Nashville as their own hometown with a weeklong run at the Tennessee Performing Arts Center beginning Tuesday, Osborne and Eppler's Southern Fried Nuptials takes the stage in Woodbury, and local favorite Geoff Davin unveils his latest theatrical creation - Adamenses Huckster…and there's plenty of theater continuing this week to keep you occupied all week long!
CRITICS' CHOICE: Memorial Weekend's Best Bets
by Jeffrey Ellis - May 22, 2015

It's the official kick-off to summer, what with the Memorial Day Weekend upon us already - seriously, where did the time go? - and while we're certain your calendar is filled with cookouts, fireworks (we don't save all the sparklers for July 4th do we?) and swimming (if it warms up enough here in frosty Tennessee, where it's in the 50s as I type). But being the theatrical fanatic that we (using either the editorial "we" or the royal "we"…just take your pick) are, we would like to humbly suggest you make your way to the theater in the next few days to get some artistic inspiration.
THE FRIDAY FIVE: STARLITE WALTZ's Brooke Gronemeyer & Morgan Robertson
by Jeffrey Ellis - May 22, 2015

Inspired by BroadwayWorld.com's Friday Six, welcome to BroadwayWorld Nashville's latest installment of The Friday Five: five questions designed to help you learn more about the talented people you'll find onstage throughout the Volunteer state. Today, we focus our virtual spotlight on Brooke Gronemeyer and Morgan Robertson, the stars of Starlite Waltz, the latest - and, unfortunately, last - production from GroundWorks Theatre, headed by artistic director Myra Stephens and managing director Jonathan Stephens, who took over the company from founders Sean and Bob O'Connell (2011 First Night Honorees).
CRITICS' CHOICE: What's Coming Up This Week?
by Jeffrey Ellis - May 19, 2015

It's been a busy spring in Tennessee and as we head into summer, you can rest assured that things are only going to get busier - and more interesting. Our advice? Hydrate yourself (drink plenty of water before heading out), dress comfortably (but tasteful) and head out for a night at the theater. You'll be inspired, entertained and possibly even transported to some far-away world of wonder and imagination. 
STAGE TUBE: First Night Nashville promo released
by Jeffrey Ellis - Aug 18, 2011

First Night: The Honors Gala is set for Sunday, September 4, at the Troutt Theatre at Belmont University, which kicks off at 5:30 p.m. with the Red Carpet Event, hosted by Jennifer Richmond and Trey Palmer, with fashion commentary by Cary Street, Joshua Waldrep and Lisa Garner Harrison. Impresario Johnny Delarocco (aka John Pyka) will produce a special Red Carpet performance by his company just for First Night.
BWW Reviews: THE FALL TO EARTH from GroundWorks Theatre
by Jeffrey Ellis - May 14, 2011

Joel Drake Johnson's The Fall to Earth is an atypical, darkly comic - yet at the same time very serious - take on the conventional mother/daughter tale. Now presented in an exceptional new production from Nashville's GroundWorks Theatre, The Fall to Earth stars an extraordinary trio of actresses who bring the disquieting story to life with a sense of camaraderie and trust, delivering as they do a truly compelling experience for theater-goers.
GroundWorks's THE FALL TO EARTH Concludes 5/14
by Jeffrey Ellis - May 14, 2011

After much too long an absence, 2010 First Night Honoree A. Sean O'Connell finds herself in the director's chair again, this time helming the latest production from Nashville's GroundWorks Theatre - the regional premiere of Joel Drake Johnson's The Fall to Earth.
GroundWorks premieres THE FALL TO EARTH for 5/6-5/14 run
by BWW News Desk - May 6, 2011

After much too long an absence, 2010 First Night Honoree A. Sean O'Connell finds herself in the director's chair again, this time helming the latest production from Nashville's GroundWorks Theatre - the regional premiere of Joel Drake Johnson's The Fall to Earth.
GroundWorks premieres THE FALL TO EARTH for 5/6-5/14 run
by BWW News Desk - May 6, 2011

After much too long an absence, 2010 First Night Honoree A. Sean O'Connell finds herself in the director's chair again, this time helming the latest production from Nashville's GroundWorks Theatre - the regional premiere of Joel Drake Johnson's The Fall to Earth.
GroundWorks premieres THE FALL TO EARTH for 5/6-5/14 run
by Jeffrey Ellis - May 4, 2011

After much too long an absence, 2010 First Night Honoree A. Sean O'Connell finds herself in the director's chair again, this time helming the latest production from Nashville's GroundWorks Theatre - the regional premiere of Joel Drake Johnson's The Fall to Earth.
First Night's Top Ten of 2010: Nashville's Best Directors
by Jeffrey Ellis - Jan 17, 2011

If theater audiences in Nashville and Middle Tennessee owe a huge debt of gratitude to the directors who helm the year's finest productions, you can only imagine how the actors lucky enough to work with those insightful, creative men and women must be! The Top Ten Directors of 2010 have resumes anyone would be proud to claim as their own and when you consider that they - year after year - excel at what they do, then you cannot help but be impressed by the breadth and depth of their abilities. Frankly, it boggles the mind. These are Nashville's best directors of 2010...
Photo Coverage: First Night Nashville Theatre Honors - Preview Party
by Jeffrey Ellis - Aug 3, 2010

Eight of the leading lights of Nashville theater were announced Monday night as the Class of 2010 Honorees for the First Night Nashville Theatre Honors, to be presented Sunday, September 19. The Hard Rock Cafe Nashville's Reverb Room was the setting for the preview party and announcement of honorees.
Gatrell, O'Brien et al. Names Class of 2010 First Night Honorees at Hard Rock Nashville
by Jeffrey Ellis - Aug 3, 2010

Eight of the leading lights of Nashville theater were announced Monday night as the Class of 2010 Honorees for the First Night Nashville Theatre Honors, to be presented Sunday, September 19. The Hard Rock Cafe Nashville's Reverb Room was the setting for the preview party and announcement of honorees.
BWW Reviews: ACT 1's WHO'S AFRAID OF VIRGINIA WOOLF?
by Jeffrey Ellis - Mar 23, 2010

Who's Afraid of Virginia Woolf? - Edward Albee's scathing evisceration of marriage and indictment of suburban morality - is brought to the Nashville stage once again in a superbly acted and confidently directed production from Artists Cooperative Theatre 1 (ACT 1). First staged by ACT 1 in its 1989-90 season in a critically-lauded staging directed by Peg Allen and headed by a cast that included A. Sean O'Connell, it is revived now as part of the company's 20th anniversary season, once again proving the power of Albee's exquisitely created words and plot and the frankly horrifying characters whose lives play out onstage.
Nashville Theatre's Top Performances of '09: The Men
by Jeffrey Ellis - Jan 1, 2010

While the women in Nashville theatre might garner more critical attention, showier roles and sparklier costumes, the men, clearly, are no slouches themselves. Capable and committed, the men who assay roles on Nashville stages are a pretty impressive collection of actors who can take on the most traditional of roles one week, while tackling parts that require them to be more experimental and brave the next. In 2009, Nashville's best actors showed their range while strutting themselves in some of the best productions we've seen in years.
Nashville theatre's top performances of '09: The Ensembles
by Jeffrey Ellis - Jan 1, 2010

If, indeed, 'it takes a village,' and if, as the poets say, 'no man is an island,' then perhaps no art form is more collaborative than live theatre. With a village of artists backstage and offstage assuring that each production is mounted, then coming to life during each performance, the collaborative effort is renewed. And what audiences see onstage is the collaboration of artists, the people who comprise the acting ensemble, the folks who bring the stagebound script to life, sending it soaring into our imaginations.
BWW Blog: Nashville Theatre's 'Top Ten of 2009'
by Jeffrey Ellis - Dec 31, 2009

With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.
REVIEW: 'Eat the Runt' from GroundWorks Theatre
by Jeffrey Ellis - Oct 18, 2009

With consistently superb casting and amazingly focused direction, Avery Crozier's Eat The Runt is given its due in the play's Nashville premiere by GroundWorks Theatre. Now onstage through October 24 at the Darkhorse Theatre, the comedy is a smartly written treatise on the arts, workplace manipulation, 'human resources' and political correctness-heady subjects all that combine for one of the funniest plays of contemporary vintage that we've seen.

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