Upcoming Shows
Yekwon Sunwoo, the 2017 Van Cliburn International Piano Competition Gold Medalist, returns to the Kimbell Art Museum for a solo piano recital as part of...
Pianist Daniil Trifonov performs an intimate solo recital at the Kimbell Art Museum on November 18, 2026, as part of the 2026–2027 Cliburn Concerts season....
Cellist Sterling Elliott and pianist Elliot Wuu make their Cliburn Concerts debut in a recital at the Kimbell Art Museum. Elliott is among the rising...
Evren Ozel, the 2025 Cliburn Bronze Medalist, returns to Fort Worth for a solo piano recital at the Kimbell Art Museum. Ozel is part of...
2026 GRAMMY-winning mezzo-soprano J'Nai Bridges performs an evening of French arias and songs at the Kimbell Art Museum as part of the 2026–2027 Cliburn Concerts...
Violinist Stella Chen and pianist Gilles Vonsattel make their Cliburn Concerts debut in a recital at the Kimbell Art Museum. The performance is part of...
by Julie Gardieff - April 24, 2026
The Marriage of Bette and Boo is a play written by Christopher Durang, a playwright who rose to prominence in the 1980s and is best known for his absurdist comedies. His most famous work is Vanya and Sonia and Masha and Spike. ...
by Julie Gardieff - April 23, 2026
Ride the Cyclone is one of those cult musicals - shows that didn’t have much financial success in their original runs but were later adopted by theatre kids everywhere, eventually gaining viral popularity via TikTok. ...
by Benoit Teves - April 21, 2026
Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director. While the staging often feels as stuck as the characters it depicts, a standout second act offers flashes of br...
by Albert Gutierrez - April 16, 2026
We learn that the suburban fantasy is not sustainable, primarily because such a fantasy can only ever be a dream. The reality of suburban living, as told by Kimberly Akimbo, shows there is much more nuance to everyday life than the nuclear family with a white picket fence and a wholesome dinner at e...
by Benoit Teves - April 11, 2026
Orlando Shakes’ 'Bare Bard' production of Henry VI Part III is a high-stakes, dangerous, and riveting 'palette cleanser' for the theatre purist. Its scrappy, sophisticated storytelling proves all you need is a script and some 'Bare Bard' brilliance....
by Julie Gardieff - April 07, 2026
What did our critic think of GIRL LOSER at Bacchus Theatre Collective?...
by Julie Gardieff - April 04, 2026
What did our critic think of THE PIN-UP GIRLS at Winter Park Playhouse?...
by Albert Gutierrez - March 30, 2026
Theater West End has once again delivered a hit with this production of COMPANY. Opening night was practically sold out, and the energy in the room reflected it – an audience eager to see how this beloved musical would unfold on the intimate Sanford stage....
by Julie Gardieff - March 22, 2026
What did our critic think of THE LIGHTNING THIEF at Bay Street Players?...
by Benoit Teves - March 10, 2026
Orlando Shakes’ production of FAT HAM is a sensory-rich, unapologetically Black, and proudly queer reimagining of Hamlet that trades Shakespearean tragedy for hard-won joy. Set against a stunningly detailed backyard cookout, Je’Shaun Jackson’s stylized performance as Juicy anchors a vivid ense...
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