Celeste Cahn's A LADY DOES NOT SCRATCH HER CROTCH To Play The Tank

By: Feb. 21, 2018
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Celeste Cahn's A LADY DOES NOT SCRATCH HER CROTCH To Play The Tank

The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present a limited engagement of Celeste Cahn's solo show, A Lady Does Not Scratch Her Crotch at The Tank (312 West 36th Street between 8th and 9th Avenues) April 11-18. Performances will be Wednesday, April 11 at 7pm, Thursday, April 12 at 9:30pm, Tuesday, April 17 at 7pm and Wednesday, April 18 at 7pm. Tickets ($10) are available for advance purchase at www.thetanknyc.org.

Once upon a time, there was a young girl, and she was not a princess or a pretty girl waiting to be a princess. Her hair got in her face and her mouth. Her dress did not fan out around her when she sat down. And she did not see a happily ever after on the horizon. A LADY DOES NOT SCRATCH HER CROTCH looks at how growing up in the shadow of a particular Disney princess can be confusing, confining and at times consuming.

Celeste Cahn (Writer/Performer) is an actor/director/writer from New Orleans, Louisiana who graduated from Brown University with a degree in Theatre Arts and Performance Studies and History (with a focus on Radical Social Change). She has previously performed at the Tank in Lady Fest and several times during Fast and Furious. She performed as Ariel in The Tempest at the New Orleans Shakespeare Festival and has spent March traveling to participate in a workshop of a Clown Iliad and to the Shakespeare in Prisons Conference in San Diego. In New York she has performed in Shakespeare's Clowns (The Players), The Great Filter (Barton Booth), a reading of Because I am your Queen (Like a Girl), Uncynical Queer Joy is the Solution to the Rise of Global Fascism (Good Work Gallery) and Amelia and Pippi (Unicorn Gallery).

The Tank is a non-profit arts presenter serving emerging artists engaged in the pursuit of new ideas and forms of expression. We serve over 1,000 artists every year in over 400 performances, and work across all disciplines, including theater, comedy, dance, film, music, public affairs, and storytelling. Our goal is to foster an environment of inclusiveness and remove the burden of cost from the creation of new work for artists launching their careers and experimenting within their art form. The heart of our services is providing free performance space in our 98 seat proscenium and 56 seat blackbox that we operate in Manhattan, and we also offer a suite of other services such as free rehearsal space, promotional support, artist fees, and much more. We keep ticket prices affordable and view our work as democratic, opening up both the creation and attendance of the arts to all. Since its founding in 2003, artists who have come through The Tank include Alex Timbers, Amy Herzog, Lucy Alibar, Mike Daisey, Reggie Watts, Kyle Abraham, Andrew Bujalski, We Are Scientists, and tens of thousands of others. www.thetanknyc.org



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