Doce y una, trece is a theatrical work by Juan García Ponce that serves as a reflective piece on Mexican reality through a costumbrist lens. The play showcases elements of cultural tension within its narrative, illustrating García Ponce's unique voice in the theatre. The event featuring this work included a reading by actress Susi Estrada and discussions led by notable figures such as Ángel Cuevas and Angélica García, aiming to highlight the significance of the text in the context of its time. The performance took place at the renowned Sala Adamo Boari, part of the Instituto Nacional de Bellas Artes y Literatura.
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Sin cadenas. La herencia africana en la música coral (7/13/25-7/13/25)
Lilia Carrillo. Todo es sugerente (9/13/25-2/8/26)
Sin cadenas. La herencia africana en la música coral (7/13/25-7/13/25)
BASOTEVE (7/5/25-7/6/25)
Paradisfåglar II (6/13/25-6/15/25)
Encuentros sonoros (6/12/25-6/15/25)
Barroco. Compositoras (4/12/25-4/12/25)
Concierto para violín de Behzad Ranjbaran (4/4/25-4/6/25)
Encuentros con Mozart (4/3/25-4/6/25)
IN LAK’ECH (tú eres yo) (3/23/25-3/23/25)
MÚSICA DE GUADALUPE OLMEDO, NUBIA JAIME DONJUAN Y ODETTE TAPIA WALLER CON EL CUARTETO SALOMA EN EL MUNAL (3/22/25-3/22/25)
Videos
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Lilia Carrillo. Todo es sugerente
Instituto Nacional de Bellas Artes y Literatura (9/13 - 2/8) | ||
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Destino
Instituto Nacional de Bellas Artes (12/15 - 12/15) | ||
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Fábulas fantásticas
Museo de las Artes (8/28 - 1/4) | ||
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Mujeres artistas de Amberes a Ámsterdam, 1600–1750
Museo Nacional de Mujeres en las Artes (9/26 - 1/11) | ||
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Nuestras latitudes
Centro Cultural del Bosque (1/24 - 12/31) | ||
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Más vale morir
Compañía Nacional de Teatro (9/25 - 12/14) | ||
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