Frosty and alters, aware of its charm yet fragile in its inner frustration in his inability to live peacefully their femininity, obsessed with success and a detrimental intransigence, Hedda Gabler is one of the more problematic, feverish and seductive female figures ibseniane.
Antonio Calenda directs in the title role Manuela Mandracchia, sensitive interpreter of Italian theatre.
«Ibsen-says the Director – plunges its characters into a "dark torment" that makes them modern. Depista, mentions, occult, but from the folds of the inner shadows, language is easy to understand how incestuous father-daughter ghosts populace the scene, how many psychological dramas, because the darkness has to reveal. "
Hedda, married to interest after the death of his father, General Gabler, with whom he had conducted appears to yuppie life totally unsatisfied of her new existence. The confusion increases when an old love reappears Løvborg in Hedda, writer of "genius and recklessness".