DUBLIN 2026: Review: ALL MY FRIENDS ARE IN AUSTRALIA, Mill Theatre
LEGROOM Collective's interactive two-hander captures a quintessential modern Irish dilemma, but thin characterisation and disjointed pacing keep its emotional weight out of reach.…
Dance Cork Firkin Crane
Articles
DUBLIN 2026: Review: ANIMALS, Abbey Theatre
A surreal and beautifully acted adaptation of Blindboyboatclub's short stories at the Abbey Theatre that shines with theatrical ambition despite a taxing runtime.…
DUBLIN 2026: Interview: Fíonna Hewitt-Twamley On Bringing MYRA'S STORY Home
Star Fíonna Hewitt-Twamley reflects on eight years of performing Brian Foster's acclaimed solo play, humanizing street life, and taking the stage at Dublin's Gaiety Theatre.…
DUBLIN THEATRE FESTIVAL 2026: Review: LET ME IN, Smock Alley Theatre
A smartly written, tense, and painfully relevant examination of belonging, identity, and the quiet frictions beneath Irish welcome.…
DUBLIN THEATRE FESTIVAL 2026: Review: A MOON FOR THE MISBEGOTTEN, Gaiety Theatre
Eileen Walsh and Marty Rea deliver towering performances in Druid's striking production of Eugene O’Neill's final play at the Dublin Theatre Festival.…
DUBLIN THEATRE FESTIVAL 2026: Review: LOURDES! THE MUSICAL, Civic Theatre
An overstuffed narrative and unrefined musical score leave Xnthony's world-premiere pilgrimage musical struggling to deliver emotional resonance or consistent comedy.…
DUBLIN THEATRE FESITVAL 2026: Review: REFUGE, Pavilion Theatre
Fishamble's dual-timeline migration drama is handsome and full of noble intent, but a static staging keeps its emotional urgency at arm's length.…
DUBLIN THEATRE FESTIVAL 2026: Review: MEREDITH, Gate Theatre
Erica Murray’s witty, grounded world premiere at the Gate Theatre balances laugh-out-loud humor with deeply recognizable domestic tension.…
DUBLIN THEATRE FESTIVAL 2026: Review: CYCLONE, 1 Railway Court
ANU Productions delivers extraordinary acting and thrilling, close-quarters boxing choreography in Cyclone, though its fragmented narrative structure makes the complete story hard to grasp.…
DUBLIN THEATRE FESTIVAL 2026: Review: HEROES OF TOMORROW, Project Arts Centre
Brokentalkers and Andy Smith present a live, immersive gallery installation that resists standard theatrical classification at Dublin Theatre Festival.…
Past Shows
Impasse
Impasse, the latest work by choreographer Mufutau Yusuf, features dancer Lucas Katangila and offers an exploration of ethnicity, identity, and the black diasporic experience through a high-speed duet. With visual references to African immigration, the performance navigates the...
AFTER ALL
AFTER ALL is a thought-provoking exploration by Solène Weinachter, part of a regional dance network tour. This production delves into the complex themes surrounding funerals, celebrating the delicate nature of existence through a mix of dance, comedy, storytelling, and theatre...
Tearmann Aiteach / Queer Sanctuary
Tearmann Aiteach / Queer Sanctuary is a collaborative performance featuring the artistic talents of Isabella Oberländer and Fearghus Ó Conchúir. This project delves into themes of support and desire within multilingual and multi-faceted queer communities, creating a welcoming...
The Future is on the Way
Irish Modern Dance Theatre presents a dance double-bill featuring Abby Zbikowski's The Future is on the Way, alongside John Scott's Actions (NOW). This performance tackles themes of resilience while envisioning equitable futures, offering a thought-provoking exploration of...
Rollercoaster
Rollercoaster, by Wes Peden, kicks off the Dance Cork Firkin Crane's 2024 season with a contemporary circus performance featuring Peden's exceptional juggling skills against an electrifying soundtrack. Known for his innovative approach, Peden promises a visually engaging...
