Aisling Ghéar Theatre Company presents a new Irish-language adaptation of George Bernard Shaw's Pygmalion. The production explores how language, accent, and cultural belonging shape identity, reimagining My Fair Lady as a modern-day Irish language production set in Belfast. The...
An overstuffed narrative and unrefined musical score leave Xnthony's world-premiere pilgrimage musical struggling to deliver emotional resonance or consistent comedy.…
Fishamble's dual-timeline migration drama is handsome and full of noble intent, but a static staging keeps its emotional urgency at arm's length.…
Erica Murray’s witty, grounded world premiere at the Gate Theatre balances laugh-out-loud humor with deeply recognizable domestic tension.…
ANU Productions delivers extraordinary acting and thrilling, close-quarters boxing choreography in Cyclone, though its fragmented narrative structure makes the complete story hard to grasp.…
Brokentalkers and Andy Smith present a live, immersive gallery installation that resists standard theatrical classification at Dublin Theatre Festival.…
The Goat Exchange turns Joseph L. Mankiewicz’s cinematic masterpiece into a brilliant live Lux Radio Theater illusion at the Dublin Theatre Festival.…
A delightfully absurd, dystopian pop opera that turns supermarket convenience into a tragic, hilarious love triangle between a shopaholic, a cashier, and a self-checkout machine.…
An ISL-led performance art piece filled with warmth and ensemble precision, though missing a clear story anchor.…
What did our critic think of CARMEN at Grand Opera House, Belfast?…
Rosaleen Cox and Desmond Eastwood star in an intimate, darkly comic two-hander that turns audience assumptions inside out.…
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