Review: THE TAMING OF THE SHREW at CLASSICAL THEATRE COMPANY
I don’t think you are going to find a funnier TAMING OF THE SHREW easily.
The latest reviews and critic recommendations from Houston.
I don’t think you are going to find a funnier TAMING OF THE SHREW easily.
STAGOLEE AND THE FUNERAL OF A DANGEROUS WORD is a wonderful meditation on the power of words, folklore, and the human condition.
Part of the genius of THE OUTSIDER is it is pure farce.
Patti Lupone has always known how to merge pop culture with her theatrical training, and she can craft a story around any song she chooses.
It’s fun, a bit quirky, and has a Fellini-sized cast that should make your head spin in all the right ways.
THE NERD is frankly still THE NERD, and the director, Brandon Weinbrenner, doesn’t reinvent much of anything.
Explore the insightful play Laughs in Spanish at STAGES, a captivating blend of humor and cultural exploration.
For the “Late Nite Catechism” series of shows, actors dress up as a character named “Sister” and lead their audiences through a “class” full of audience interaction.
IT IS MAGIC is far from false advertising because this play, this cast, and this team make some pretty strong magic from Mickle Maher’s latest play.
The Garden Theatre is currently presenting ANN, a one-woman show highlighting the life of the prolific Texas governor, Ann Richards.
This is a beautifully cast show full of authentic Latin performers.
O: A RHAPSODY IN DIVORCE does what any good play sets out to do; it makes you feel.
The show is a jukebox musical that tells the story of Tina’s career and incorporates some of her biggest hits to do so.
Yet in the end, EIGHT NOTES TO HEAVEN is just a joyous ride.
What I admire most about TUTS is their willingness to cast local Houston talent of all levels, and allowing them to work on a show with musical theater professionals from around the country.
What did our critic think of SENSE & SENSIBILITY at 4TH WALL THEATRE COMPANY? I have a feeling the creators of Netflix’s BRIDGERTON saw Kate Hamill’s musical update of SENSE & SENSIBILITY in 2014 and understood what they had to do to make Regency era romance work for a new generation.
'MJ' was a slick production with an extremely talented cast who executed some elite singing and dancing, and I know that the show is a crowd-favorite currently with numerous Tony Awards under its belt.
But one thing I promise you, you have never seen it done like this before.
There is a distinct charm to GEORGIANA AND KITTY that makes the audience feel like they are invited for Christmas at Pemberly.
Of the many things I could compliment about TUTS’ production of Sweeney Todd (the songs, the costumes, the lighting) perhaps the most important is that it’s authentic.
I was expecting a thriller along the lines of MISERY, but in the end the psychological aspects of SWITZERLAND are such that make it a chiller instead.
You are never going to see a more definitive version of this show in Houston, and CATASTROPHIC is the company to bring it to you.
They have a mix of genders, races, and experience levels to work with.
|
Company Pasadena Little Theatre (8/14-8/30) |
|
The Rocky Horror Picture Show Spooktacular Tour with Nell Campbell House of Blues (10/23-10/23) |
|
Wicked Hobby Center for the Performing Arts (6/23-7/25) |
|
Xanadu MATCH (Midtown Arts & Theater Center Houston) (8/14-8/30) |
|
About Noah by Paula Coco Theatre Suburbia (9/18-10/17) |
|
Mrs. Doubtfire The Musical Theatre Under The Stars (10/13-10/25) |
|
Don't Say Murder by Carl Williams Theatre Suburbia (2/26-3/27) |
|
Therapy Gecko Punch Line Houston (9/20-9/20) |
|
Disney's The Little Mermaid Theatre Under The Stars (12/08-12/24) |
|
Company Pasadena Little Theatre (8/14-8/30) |