Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$261,283 | $261,283 | $60 $115 |
4,336 | 8,344 | 8 | 52.00% |
A LITTLE NIGHT MUSIC (WALTER KERR) |
$468,108 | $468,108 | $92 $297 |
5,087 | 7,448 | 8 | 68.30% |
AMERICAN IDIOT (ST. JAMES) |
$424,812 | $424,812 | $72 $250 |
5,922 | 13,672 | 8 | 43.30% |
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$1,037,838 | $1,037,838 | $99 $250 |
10,434 | 11,368 | 8 | 91.80% |
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$315,796 | $315,796 | $65 $190 |
4,845 | 8,240 | 8 | 58.80% |
BRIEF ENCOUNTER (STUDIO 54) |
$378,764 | $378,764 | $62 $127 |
6,129 | 8,016 | 8 | 76.50% |
CHICAGO (AMBASSADOR) |
$457,936 | $457,936 | $81 $185 |
5,649 | 8,640 | 8 | 65.40% |
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$128,644 | $128,644 | $58 $165 |
2,214 | 4,696 | 8 | 47.10% |
DRIVING MISS DAISY (GOLDEN) |
$699,239 | $699,239 | $122 $300 |
5,710 | 6,432 | 8 | 88.80% |
ELF (AL HIRSCHFELD) |
$1,175,130 | $1,175,130 | $122 $252 |
9,634 | 11,392 | 8 | 84.60% |
FELA! (EUGENE O'NEILL) |
$506,223 | $506,223 | $76 $225 |
6,661 | 8,240 | 8 | 80.80% |
IN THE HEIGHTS (RICHARD RODGERS) |
$496,380 | $496,380 | $69 $300 |
7,227 | 10,752 | 8 | 67.20% |
JERSEY BOYS (AUGUST WILSON) |
$1,237,955 | $1,237,955 | $132 $350 |
9,374 | 9,824 | 8 | 95.40% |
LA BETE (MUSIC BOX) |
$216,038 | $216,038 | $66 $300 |
3,253 | 8,056 | 8 | 40.40% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$530,382 | $530,382 | $92 $250 |
5,738 | 8,456 | 8 | 67.90% |
LOMBARDI (CIRCLE IN THE SQUARE) |
$273,956 | $273,956 | $65 $200 |
4,218 | 6,320 | 8 | 66.70% |
MAMMA MIA! (WINTER GARDEN) |
$777,759 | $777,759 | $88 $200 |
8,889 | 11,984 | 8 | 74.20% |
MARY POPPINS (NEW AMSTERDAM) |
$911,483 | $911,483 | $85 $199 |
10,764 | 14,376 | 8 | 74.90% |
MEMPHIS (SHUBERT) |
$936,362 | $936,362 | $95 $250 |
9,826 | 11,760 | 8 | 83.60% |
MILLION DOLLAR QUARTET (NEDERLANDER) |
$582,367 | $582,367 | $92 $250 |
6,328 | 9,712 | 8 | 65.20% |
NEXT TO NORMAL (BOOTH) |
$234,199 | $234,199 | $56 $200 |
4,154 | 6,176 | 8 | 67.30% |
PROMISES PROMISES (BROADWAY) |
$1,154,614 | $1,154,614 | $102 $250 |
11,337 | 13,976 | 8 | 81.10% |
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$598,381 | $598,381 | $86 $190 |
6,956 | 11,584 | 8 | 60.00% |
ROCK OF AGES (BROOKS ATKINSON) |
$476,229 | $476,229 | $93 $225 |
5,112 | 7,976 | 8 | 64.10% |
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$919,457 | $919,457 | $97 $275 |
9,468 | 9,640 | 5 | 98.20% |
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$937,133 | $937,133 | $111 $300 |
8,434 | 12,152 | 8 | 69.40% |
THE LION KING (MINSKOFF) |
$1,529,019 | $1,529,019 | $119 $250 |
12,831 | 13,416 | 8 | 95.60% |
THE MERCHANT OF VENICE (BROADHURST) |
$1,085,310 | $1,085,310 | $131 $300 |
8,266 | 8,064 | 7 | 102.50% |
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$572,951 | $572,951 | $102 $225 |
5,607 | 8,440 | 8 | 66.40% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$690,663 | $690,663 | $82 $200 |
8,437 | 12,920 | 8 | 65.30% |
THE PITMEN PAINTERS (FRIEDMAN) |
$154,367 | $154,367 | $46 $121 |
3,384 | 5,200 | 8 | 65.10% |
THE SCOTTSBORO BOYS (LYCEUM) |
$282,465 | $282,465 | $50 $250 |
5,601 | 7,200 | 8 | 77.80% |
TIME STANDS STILL (CORT) |
$339,572 | $339,572 | $79 $250 |
4,298 | 8,632 | 8 | 49.80% |
West Side Story 2009-2011 (PALACE) |
$697,675 | $697,675 | $81 $300 |
8,582 | 13,576 | 8 | 63.20% |
WICKED (GERSHWIN) |
$1,566,919 | $1,566,919 | $115 $300 |
13,671 | 14,472 | 8 | 94.50% |
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$390,465 | $390,465 | $77 $125 |
5,060 | 7,760 | 8 | 65.20% |
TOTAL | $23,445,874 | $651,274 | $92.51 $233.78 |
253,436 | 348,912 | 284 | 72.64% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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