Jump to Year / Week:
2024 |
2023 |
2022 |
2021 |
2020 |
2019 |
2018 |
2017 |
2016 |
2015 |
2014 |
2013 |
2012 |
2011 |
2010 |
2009 |
2008 |
2007 |
2006 |
2005 |
2004 |
2003 |
2002 |
2001 |
2000 |
1999 |
1998 |
1997 |
1996 |
Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
42ND STREET (FORD CENTER) |
$842,654 | $842,654 | $66 $101 |
12,703 | 14,504 | 8 | 87.60% |
|
AIDA (PALACE) |
$697,765 | $697,765 | $73 $95 |
9,533 | 13,560 | 8 | 70.30% |
|
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$625,675 | $625,675 | $58 $90 |
10,741 | 12,072 | 8 | 89.00% |
|
CABARET (STUDIO 54) |
$400,189 | $400,189 | $59 $95 |
6,815 | 7,360 | 8 | 92.60% |
|
CHICAGO (SHUBERT) |
$439,511 | $439,511 | $55 $90 |
8,041 | 11,680 | 8 | 68.80% |
|
CONTACT (VIVIAN BEAUMONT) |
$298,881 | $298,881 | $58 $90 |
5,123 | 8,536 | 8 | 60.00% |
|
ELAINE STRITCH AT LIBERTY (NEIL SIMON) |
$297,104 | $297,104 | $61 $85 |
4,883 | 6,640 | 5 | 73.50% |
|
FORTUNE'S FOOL (MUSIC BOX) |
$283,365 | $283,365 | $44 $76 |
6,414 | 8,072 | 8 | 79.50% |
|
INTO THE WOODS (BROADHURST) |
$322,931 | $322,931 | $63 $100 |
5,120 | 9,080 | 8 | 56.40% |
|
LES MISÉRABLES - ORIGINAL (IMPERIAL) |
$421,809 | $421,809 | $51 $90 |
8,287 | 11,336 | 8 | 73.10% |
|
MAMMA MIA! (WINTER GARDEN) |
$999,076 | $999,076 | $83 $100 |
12,107 | 11,984 | 8 | 101.00% |
|
METAMORPHOSES (CIRCLE) |
$232,644 | $232,644 | $59 $75 |
3,959 | 5,200 | 8 | 76.10% |
|
MORNING'S AT SEVEN (LYCEUM) |
$111,021 | $111,021 | $31 $66 |
3,575 | 7,392 | 8 | 48.40% |
|
NOISES OFF (BROOKS ATKINSON) |
$285,813 | $285,813 | $51 $75 |
5,578 | 8,408 | 8 | 66.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
OKLAHOMA! 2002/2003 (GERSHWIN) |
$906,905 | $906,905 | $72 $90 |
12,576 | 13,368 | 8 | 94.10% |
|
PRIVATE LIVES 2002 (RICHARD RODGERS) |
$174,579 | $174,579 | $58 $75 |
2,996 | 4,002 | 3 | 74.90% |
|
PROOF (WALTER KERR) |
$223,938 | $223,938 | $49 $70 |
4,554 | 7,392 | 8 | 61.60% |
|
QED (VIVIAN BEAUMONT) |
$97,831 | $97,831 | $50 $60 |
1,953 | 2,134 | 2 | 91.50% |
|
RENT (NEDERLANDER) |
$358,659 | $358,659 | $50 $85 |
7,152 | 9,448 | 8 | 75.70% |
|
SWEET SMELL OF SUCCESS (MARTIN BECK) |
$548,592 | $548,592 | $68 $95 |
8,082 | 11,376 | 8 | 71.00% |
|
THE CRUCIBLE (VIRGINIA) |
$443,585 | $443,585 | $68 $240 |
6,544 | 8,785 | 7 | 74.50% |
|
THE ELEPHANT MAN (ROYALE) |
$177,159 | $177,159 | $39 $76 |
4,530 | 8,624 | 8 | 52.50% |
|
THE GOAT OR WHO IS SYLVIA? (Golden) |
$123,777 | $123,777 | $46 $76 |
2,706 | 6,432 | 8 | 42.10% |
|
THE GRADUATE (PLYMOUTH) |
$489,580 | $489,580 | $58 $354 |
8,408 | 8,600 | 8 | 97.80% |
|
THE LION KING (NEW AMSTERDAM) |
$1,063,910 | $1,063,910 | $73 $100 |
14,524 | 14,344 | 8 | 101.30% |
|
THE MAN WHO HAD ALL THE LUCK (AMERICAN AIRLINES) |
$128,580 | $128,580 | $41 $65 |
3,110 | 3,700 | 5 | 84.10% |
|
THE MYSTERY OF CHARLES DICKENS (BELASCO) |
$22,310 | $22,310 | $29 $66 |
772 | 4,072 | 4 | 19.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$537,475 | $537,475 | $55 $90 |
9,729 | 12,856 | 8 | 75.70% |
|
THE PRODUCERS (ST. JAMES) |
$1,142,834 | $1,142,834 | $84 $480 |
13,635 | 13,648 | 8 | 99.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE SMELL OF THE KILL (HELEN HAYES) |
$60,131 | $60,131 | $29 $70 |
2,079 | 4,776 | 8 | 43.50% |
|
THE TALE OF THE ALLERGIST'S WIFE (ETHEL BARRYMORE) |
$244,004 | $244,004 | $48 $75 |
5,046 | 8,368 | 8 | 60.30% |
|
THOROUGHLY MODERN MILLIE (MARQUIS) |
$481,070 | $481,070 | $39 $95 |
12,369 | 12,624 | 8 | 98.00% |
|
TOPDOG / UNDERDOG (AMBASSADOR) |
$276,785 | $276,785 | $36 $76 |
7,697 | 8,872 | 8 | 86.80% |
|
URINETOWN (HENRY MILLER) |
$240,741 | $240,741 | $73 $85 |
3,298 | 5,048 | 8 | 65.30% |
| TOTAL | $14,000,883 | $411,791 | $59.67 $107.43 |
234,639 | 304,293 | 250 | 77.11% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
Videos
TICKET CENTRAL
Recommended For You
Get Broadway's #1 Newsletter
Get the best news & discounts for Broadway & beyond.
