Etudes transposes a dance class to the stage. Conceived by Harald Lander who was a choreographer, ballet master and director of the Opera’s Ballet School, this ballet can be seen as a manifesto of classical technique, of its purity, rigour and exactingness. In contrast, two works by William Forsythe, created especially for the Company, shed new light on this academic heritage, deconstructing and reconstructing its vocabulary. In Pas./parts and Woundwork, the choreographer shakes up the codes and boundaries, pushes back the limits and accelerates the pace. Three fundamental works from the repertoire that interact with each other, contributing to the study of the history of a technique which continues to evolve both as an intellectual discipline and as a living art form.