Repertory Theatre of St Louis and Kansas City Repertory Theatre 2024-25 Seasons - Chicago EPA
Various Producers | ,
Notice: Audition Call Type: EPA
Tuesday, May 7, 2024
9:00 AM - 5:00 PM (C)
Lunch 12:00 PM - 1:00 PM
LORT Non-Rep
$1059 weekly minimum (LORT B protected) - St Louis
$776 weekly minimum (LORT D protected) - St Louis
$1100 weekly minimum (LORT B) - Kansas City
$807 weekly minimum (LORT D) - Will pay LORT C rates $1011 - Kansas City
Equity actors for roles in Repertory Theatre of St Louis and Kansas City Repertory Theatre 2024-25 Seasons (See breakdown).
Performers will have up to three minutes to audition using material of the performer's own choice. An accompanist will be provided. Stage Managers shall be interviewed. Actors may elect to interview in lieu of auditioning. Please bring your headshot and resume stapled together.
Actors' Equity Association - Chicago Member Center
557 W Randolph St
1st Fl
Chicago, IL 60661
Expected to attend:
Matthew Cox, Artistic Associate - St Louis Andi Meyer, Artistic Associate - Kansas City
See breakdown for production specific personnel.
See breakdown for production specific dates.
OTHER
St Louis - All actors must be fully vaccinated against COVID-19, including being two-weeks post booster shot.
EPA Procedures are in effect for this audition. An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
NOTE: Actors of any race/ethnicity encouraged to apply for any of the roles, unless otherwise specified in the character breakdown.
Some roles will be understudied.
Directed by Melissa Rain Anderson
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
8/27/24 – First Rehearsal
9/13/24 – First Tech
9/18/24 – First Preview
9/20/24 – Opening
10/13/24 – Closing
MARGOT WENDICE: She/Her. 30s - 40s. English. Charming, witty, and somewhat naïve. Wife of Tony and ex-lover of Max. She’s wealthy and has no idea her husband is planning to kill her for her money. Excellent with language and banter. Deep emotional well. Physically agile. Stage combat needed.
MAX HALLIDAY: He/Him. 30s - 40s. American. Mystery writer and ex-lover of Margot. Quick witted, charming, excellent with language and banter. Deeply committed to saving Margot’s life.
TONY WENDICE: He/Him. 30s - 40s. English. Charming, seductive, cunning. A darkness lies in him, jealous and ruthless as he plans to kill his wife over her affair with Max and keep her money. Meticulous, exacting, and sometimes desperate.
CAPTAIN LESGATE: He/Him. 30s - 40s. English. Blue collar. A criminal. He’s conning women out of their money and resources all over town, living under a different alias each time. Possibly a brute. He’s definitely gruff under his cool demeanor. Physically agile. Stage combat needed.
INSPECTOR HUBBARD: He/Him. 40s - 50s. English. Chief Inspector, quick mind. Excellent with language.
THOMPSON: He/Him. 20s. English. A young policeman. Naïve, alert.
Directed by Rebekah Scallet
Emerson Studio Theatre, LORT D - $776/week (protected status)
10/1/24 – First Rehearsal
10/19/24 – First Tech
10/23/24 – First Preview
10/25/24 – Opening
11/17/24 – Closing
SHARON: She/Her. 50s. Has lived a normal, safe, Midwestern life. Recently divorced, her craving for adventure is awoken by her new roommate, Robyn.
ROBYN: She/Her. 50s. Longs to leave her past behind, settle down, and start over. She is reserved, but eventually opens up to Sharon and influences her to see life in a new light.
Directed by Keith Andrews
Co-presented with STAGES St. Louis
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
11/12/24 – First Rehearsal
11/29/24 – First Tech
12/4/24 – First Preview
12/6/24 – Opening
12/22/24 – Closing
ELVIS PRESLEY: He/Him. 20s. Singer, guitar player, a giant of American music at the dawn of his epic career.
Directed by TBD
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
1/14/25 – First Rehearsal
1/31/25 – First Tech
2/5/25 – First Preview
2/7/25 – Opening
3/2/25 – Closing
CLYDE: She/Her. 30s - 50s. Black. Owner of the sandwich shop. Formerly incarcerated. Frighteningly charming, her way or the highway. Invulnerable, insensitive, tyrannical.
MONTRELLUS: He/Him. 40s - 50s. Black. Head sandwich chef. Formerly incarcerated. Interested in healing. Kind, patient, sensitive.
RAFAEL: He/Him. 20s - 30s. Latinx. Line cook at the stop. Formerly incarcerated. A romantic. Charming, playful, recovering.
LETITIA: She/Her. 20s - 30s. Black. Line cook at the stop. Formerly incarcerated. A single mother to a daughter with health issues. Quick-witted, independent, a survivor.
JASON: He/Him. 20s - 30s. White. Line cook at the stop. Formerly incarcerated. White supremacist affiliation. Earnest but lost. Harsh, proud, standoffish.
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
2/25/25 – First Rehearsal
3/14/25 – First Tech
3/19/25 – First Preview
3/21/25 – Opening
4/13/25 – Closing
All roles must be comfortable with stage combat.
ROBIN HOOD: He/Him. 20s - 30s. British. The iconic hero, a charming rascal. He steals from the rich and gives to the poor.
MAID MARIAN: She/Her. 20s - 30s. British. The best archer in all of England. Noble and independent. FRIAR TUCK: He/Him. 30s - 50s. British. The narrator, an earnest warrior, and Robin’s guide.
LITTLE JOHN: He/Him. 30s - 40s. British. The strongest fighter in Nottingham. Simple, but with a heart of gold.
DEORWYNN: She/Her. 20s - 30s. British. A fiery young woman deeply affected by the tyranny of her government.
SIR GUY OF GISBOURNE: He/Him. 30s - 40s. British. The current Earl of Nottingham, vile and cruel. Willing to do anything to achieve his ends.
THE SHERIFF OF NOTTINGHAM: He/Him. 20s - 40s. British. A cowardly enforcer of the tyrannical government.
PRINCE JOHN: He/Him. 30s - 40s. British. The usurper of the English throne. Completely self absorbed. Willing to do anything to retain his newfound power.
Actors with intersections in BIPOC, PGM, LGBTQIA+ are encouraged to apply.
KCRep Mission: To inspire, entertain, and open minds by creating transformative theatre experiences for all.
KCRep Vision: KCRep will be a catalyst for a culturally vibrant, equitable, and thriving Kansas City by connecting artists and audiences in a welcoming environment that fosters wonder, curiosity, and understanding.
Some roles will be understudied.
Like the film, music and lyrics were by Glen Hansard and Markéta Irglová
Director: Stuart Carden
Music Director: TBA
Spencer Theatre
Contract: LORT B
1ST REHEARSAL: July 30, 2024
TECH: August 28, 2024
1ST PREVIEW: September 3, 2024
OPENING: September 6, 2024
CLOSING: September 22, 2024
Performers must play their lead instrument at a proficient/professional level.
Girl - Piano - A determined and witty dreamer. Girl has come from the Czech Republic to Dublin for a new life. She is passionate about playing the piano and making music. Gender: Female, Identity: Open race/ethnicity would strive to cast same race/ethnicity for Baruska/Ivonka. Age: 20 to 35. Vocal range: Mezzo, B4--F#3
Guy - Guitar - A down-on-his-luck musician in Dublin. He is lovesick and lost. Loves making songs and playing guitar but is ready to give up. Gender: Male, Identity: Caucasian/Irish. Age: 20 to 35. Vocal range: Baritone, G#4--F#2, Falsetto up to C#5
Billy - Guitar - A music store owner who allows Girl to play piano in his shop. Opinionated and loyal to those he cares about. Plays guitar. Gender: Male, Identity – Open Race/ethnicity – larger in stature. Age: 30 to 50. Vocal range: Baritone
Reza - Violin - Girl's vivacious and flirtatious roommate. Plays violin. Gender: Female, Identity – Open Race/ethnicity. Age: 25 to 30. Vocal range: Soprano, A5--D4
Baruska - Girl's mother. Loving, generous, and idealistic. Gender: Female, Identity: Open Race/ethnicity. Age: 45 to 60. Vocal range: Alto
Bank Manager – Guitar and Cello - Corporate on the outside, but artistic on the inside. Lead instrument guitar, second instrument cello or other. Gender: Male / non-binary, Age: 30 to 50. Identity: Open Race/Ethnicity. Vocal range: Tenor, B4–G3
Da - Guy's father. A caring man who loves his son. Gender: Male. Age: 50 to 70. Identity: Caucasian/Irish. Vocal range: Baritone, E4--G3
Svec – Drums and Guitar (or other) - Girl's quirky roommate. Lead instrument drum set, second instrument guitar or other. Gender: Male, Identity: Open Race/ethnicity. Age: 20 to 40. Vocal range: Baritone
Andrej – Guitar and bass - Girl's roommate. A big dreamer. Plays guitar and bass. Gender: Male, Identity: Open Race/ethnicity. Age: 20 to 30. Vocal range: Baritone, F#4--A3
Eamon – Guitar and Piano - A Dublin music studio manager. Plays guitar and piano. Gender: Male, Identity: Caucasian/Irish. Age: 20 to 50. Vocal range: Baritone
Ex-Girlfriend - Violin - Guy's ex-girlfriend. Wanting a better life, she's moved from Dublin to New York. Plays violin. Gender: Female, Identity: Open Race/ethnicity. Age: 20 to 40. Vocal range: Mezzo
Director: TBD
Music Director: TBD
Copaken Theatre
Contract: LORT D, contracting at LORT C
1ST REHEARSAL: Sep. 10, 2024
TECH: Oct. 2, 2024
1ST PREVIEW: Oct.8, 2024
OPENING: Oct. 11, 2024
CLOSING: Oct. 27, 2024
BILLIE HOLIDAY: The great jazz singer in the last year of her life (Age 44).
JIMMY POWERS: A piano player, Any age.
Director: TBD
Music Director: TBD
Spencer Theatre
Contract: LORT B
1ST REHEARSAL: October 29, 2024
TECH: November 16, 2024
1ST PREVIEW: November 23, 2024
OPENING: December 1, 2024
CLOSING: December 28, 2024
No Roles available.
Director: TBA
Copaken Theatre
Contract: LORT D, contracting at LORT C
1ST REHEARSAL: January 14, 2025
TECH: February 5, 2025
1ST PREVIEW: February 11, 2025
OPENING: February 14, 2025
COMMUNITY TOUR: March 6-16, 2025
CLOSING: March 16, 2025
William King: African American, male identifying. 50-55. By nature, gentle and warm-hearted, but the early effects of multiple sclerosis bring on a temper and a longing for something he cannot identify. William should have a great sense of humor and has a strong passion for his family and his vocation.
Ennis King: African American, male identifying. Early 20s. Went east to college, about to be a father; not sure what he should do next. Confident, ready to make his future. Shares his father’s sense of humor, passion for hard work, and intense love for his family and his community.
Malcolm King: African American, male identifying. Mid 20s. Has a Masters Degree, lover of science, stayed at home. Down-to-earth and hard-working.
Sonia King: African American, female identifying. 20s-40s. William’s wife, who died young. Appears in William’s memory and dreams. Loving, self-sacrificing; always wanted a better life for her sons. She is also a passionate artist, her therapeutic creative outlet.
Based on the novel by Jane Austen
Director: TBA
Spencer Theatre
Contract: LORT B
1ST REH: April 8, 2025
TECH: April 30, 2025
1ST PREVIEW: May 6, 2025
OPENING: May 9, 2025
CLOSING: May 25, 2025
Actors of all ethnicities are strongly encouraged to audition.
WOMEN
EMMA (late 20s-30s): almost unbelievably charming; a natural comedienne. Bouncily flirty; possesses more power of manipulation than even she understands; has a certain sunny, charming self regard—it’s what allows her to get away with so much. Very, very, VERY clever—and fancies herself even more clever than she is. Capable of getting ahead of herself. Incredibly dexterous, verbally. Capable of being unfair or short-sighted or impetuous; maybe a bit overindulged. Grew up with wealth. Can be a bit overconfident and self-congratulatory. Capable of getting quite competitive. Generous with those she considers family. Eminently lovable and eminently fallible. Has emotional depth. Very educated but is not allowed a profession—and thus is a bit like a border collie without any sheep. Frustrated, and thus sometimes putting her considerable energies in the wrong places. Ahead of her time. Given the chance, she just might run the world.
HARRIET SMITH (20s): a deeply likable girl from the lower classes, who’s been given a basic education. A sweet, naturally affectionate human being, but not the brightest flame in the stove. A born enthusiast; the kind of person who leaps WAY before she looks. Has a strong tendency towards hero worship. A born follower. VERY impressionable. Has a desperate adoring friend-crush on Emma. Wants to be in love. Gets flustered easily. A bit naïve.
MRS. WESTON (mid 30s-late 40s) / as cast: Emma’s former governess. A very smart woman with a good sense of humor; very perceptive and grounded. Not afraid to tell it like it is. Capable of really teaching deep lessons. Not without edge, when she chooses. Likable and opinionated. Gives great advice. Picture the coolest aunt imaginable. Doubles as Mrs. Bates (70s+) / as cast: An elderly lady, very opinionated, who communicates exclusively in grunts and hand gestures. Mrs. Bates is completely obscured by bonnet and scarves and shawls; she’s a big pile of fabric, rather like Cousin It. We never see what’s underneath all the layers.
MISS BATES (40s+) / as cast: headmistress of a struggling school for girls. An incredibly good natured, if motor-mouthed and daft, woman. Very, very proud of her niece Jane Fairfax, whom she talks about obsessively. Once she starts talking, you can’t get a word in edgewise.
JANE FAIRFAX (20s-30s) / as cast: You know that girl who always seems to do everything right? Jane is that girl. An overachiever. Very composed. Very beautiful. Very discreet. Very accomplished. Very smart. Every hair in place, and it seems effortless. Works as a governess, until she quits under mysterious circumstances. The only girl-child in a family full of schoolteachers, and thus—seemingly—a model of perfect behavior. Maybe a little bit stiff. Under all of this A+ decorum, she’s hiding a love affair with Frank Churchill—she doubts he can be faithful. Is hiding deep passions under that flawless exterior.
MRS. ELTON (20-30s) / as cast: not bright. What’s more, she has a laugh that’s the auditory equivalent of nails being torn out of your fingers. Is delighted by everything. Her libido is.... quite active. Thinks her new husband, Mr. Elton, is the most desirable thrilling brilliant man alive. A truly intolerable woman. May actually be a hyena, wearing a human suit. May also double with Mrs. Bates.
MEN
MR. KNIGHTLEY (30s-40s): a handsome man; a super charming man; an upright fellow. He’s also a bit of a rule-follower; maybe sometimes a bit of a stick in the mud. Very clever. Capable of getting ahead of himself and edging towards know-it-all. Can be competitive. Is preoccupied with Emma—they get under each other’s skin in the most delightful way. Gets quite jealous of Frank Churchill. Has the best intentions. Feels deeply. A genuinely good guy. Ultimately learns to admit vulnerability and share his feelings.
MR. WOODHOUSE (60s+) / as cast: an over-anxious, melancholy hypochondriac, but people humor him, as he’s a nice man under it all. Obsessed with the healing powers of gruel. Tends to darkly predict fatal illnesses as a sign of concern. May double with MR. WESTON, (40s-50s) / as cast: —the kind of man who likes to make awkward “dad jokes.” Very, very proud of his son, Frank Churchill. An unsubtle matchmaker. A good man; not a mean thought in his head. Maybe is prone to blurting out the wrong thing.
MR. ELTON (any age) / as cast: a clergyman who sometimes gets the wrong idea. ADORES poetry. A born social climber. Fancies himself a great romantic. Thinks ladies are naturally coy and enjoy wordplay. Is determined to woo, and win. Thinks he oozes charm; maybe just oozes. May double with Mr. Weston.
FRANK CHURCHILL (20s-30s) / as cast: an incredibly charming, handsome, mischievous flirt of a man—the kind of man who gets away with almost everything, because he’s so irresistible. Not a bad guy, really; just a bit too likable for his own good. Ladies love him. Funny. Gossipy. Clever. A little spoiled and manipulative. A bit unused to hearing “no,” and as a result, doesn’t really believe in “no.” Can be callous or unthinkingly cruel or self-indulgent. Wishes to reform but can’t.... always.... help himself. Enjoys half-truths and innuendo. Is, underneath everything, in love with Jane Fairfax—but that doesn’t mean other women become uninteresting to him. Doubles with ROBERT MARTIN—a sweet groundskeeper, in love with Harriet. Non-speaking. May also double with Mrs. Bates.
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