GHOST Equity Principal Audition - White Plaines Performing Arts Center Auditions

Posted August 22, 2017
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GHOST - White Plaines Performing Arts Center

GHOST – White Plains NY EPA/ECC By Appointment

White Plains Performing Arts Center


AUDITION DATE

Wed, Sep 06, 2017

12:00 pm - 8:00 pm (EDT)

Lunch TBD

APPOINTMENTS

AEA members, For a 5-minute appointment, please call 914-328-1600, x18 (M-F, 11-5 pm) or e-mail auditions@wppac.com with the DATE of the requested audition day in the subject line! DO NOT LEAVE A MESSAGE. Include name, phone #, approximate time you’d like to audition and union status. Equity Members without appointments will be seen throughout the audition day. Once you have been given an appointment time, it will be confirmed by email.

CONTRACT

LOA $398/week for AEA actors ($1,000- $1,400 flat fee for non union performers (based on role) + EMC Points )

SEEKING

A MULTI-ETHNIC cast of men and women with fantastic singing voices who also act and move very well to play principal and supporting roles (see breakdown) NON-TRADITIONAL CASTING is strongly encouraged.

Theatre’s casting note: “Because of the short, intense rehearsal schedule, we are open and interested in seeing performers who may have done the show before. But it is NOT a requirement.”

PREPARATION

Please prepare a brief song from the show (preferred) OR contemporary Broadway songs in the style of the show/composer that can be fully interpreted with strong acting choices. Make sure the song shows vocal range! Must bring sheet music in the correct key. A piano accompanist will be provided but will not transpose. Charts are NOT acceptable, NO cd’s and NO unaccompanied singing.
Please bring headshot & resume, stapled back-to-back.

LOCATION

White Plains Performing Arts Center

11 City Pl

White Plains, NY 10601

PERSONNEL

Book & Lyrics by BRUCE JOEL RUBIN
Music & Lyrics by DAVE STEWART & GLEN BALLARD
Based on the Paramount Pictures film written by Bruce Joel Rubin

Director: Joseph C Walsh,
Music Director: Stephen Ferri,
Choreographer: Lexie Frare

OTHER DATES

1st Reh: On/About 9/25/17 (rehearses in NYC) (usually 10am-6pm, but some nights possible)
Tech: 10/7 – 10/12 (in White Plains) (5pm to 11pm for tech)
Perfs: 10/13-15, 10/19-22, 10/25-29
(3-4 perf/wk - 11 total)

Please bring any and all conflicts to the auditions and note that the rehearsals times may vary. You must be available by the first week of rehearsal to be considered for the show. Those who attend in person will be given priority for all roles

OTHER

CALLBACKS Thur 9/14. Actors will be notified by email. Sides and music will be distributed before and at callbacks; please be as familiar with the show as possible if you are called back and be prepared to dance if asked. PLEASE MAKE SURE YOU ARE AVILABLE FOR THE CALLBACK DATES LISTED!

Video submissions only accepted if unable to attend the audition. Videos must have you singing with accompaniment ideally from the show.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

SYNOPSIS
Adapted from the hit film by its Academy Award-winning screenwriter, Bruce Joel Rubin, GHOST THE MUSICAL follows Sam and Molly, a young couple whose connection takes a shocking turn after Sam’s untimely death. Trapped between two worlds, Sam refuses to leave Molly when he learns she is in grave danger. Desperate to communicate with her, he turns to a storefront psychic, Oda Mae Brown, who helps him protect Molly and avenge his death.

*Please note: The 6 “Ensemble” roles will understudy leading roles in this smaller casting.

SAM WHEAT (Male, 25-30’s)
Vocal Range: G# to Bb (Pop/Rock Tenor with high belt)
Sam is the hero of our story, a office-worker in New York City, living with his long-term girlfriend, Molly; one day Sam is murdered by Willie Lopez, and as a Ghost he seeks the help of a reluctant medium, Oda Mae, to protect Molly when Willie plans to strike again. This character needs to be a strong naturalistic actor and able to interact well with Molly, especially in the romantic scenes; needs to be confident in solo lines as the Ghost and have a New York accent; also needs to be able to move well, Should be very fit. Also, the ability to play guitar would be nice but not necessary.

MOLLY JENSEN (Female, 25-30’s)
Vocal range: G3 to Eb5 (pop/rock with STRONG belt)
Molly is a artist living in New York City with her boyfriend, Sam Wheat, until he's murdered and his ghost comes back to save her; definitely a strong actor; able to interact well with Sam and be convincing when playing the grief-stricken girlfriend; be confident in transition from in-love to broken-hearted while demonstrating a deep sense of strength and inner-peace which is disrupted by the tragic events of the play. *Role on offer

ODA MAE BROWN (Female, 30-40’s)
Vocal range: Ab3 to F5
Oda Mae Brown works as a spiritual advisor out of a storefront séance parlor in Brooklyn; though she was told as a child that she had the gift by her mother and grandmother (who were both able to communicate with the dead), Oda Mae did not actually experience communication with the spirits until she met Sam Wheat during a séance for an unrelated client. Larger-than-life character and able to play for laughs but still have some sincerity and truthful moments; some “dancing” required, particularly in solos; however, this can be portrayed as comedic. African American.

CARL BRUNER (Male, 25-30’s)
Vocal Range: Eb3 to A4
Carl Bruner is the main antagonist of the show and good friend and colleague of Sam's; when Sam discovers there are discrepancies in some bank accounts, which actually is a money-laundering operation run by Carl, he orders his partner, Willie Lopez, to attempt to steal Sam's security codes, which result in Willie killing Sam. Really strong actor and singer, who is able to play slimy businessman; needs to be able to transition from aggressive to slimy when seducing Molly; some physical theater work needed for transitions.

MAN 1: Subway Ghost/Orland Jones/Ensemble
(Male, 20-30’s)
The Subway Ghost helps and teaches Sam to use his ghostly powers; he also thinks that the trains are his; aggressive spooky” but within the realms of truthfulness; good physical actor required as well as physical character work experience. Experience with rap is helpful.

MAN 2: Willie Lopez/Ensemble
(Male, 20-30’s)
When Willie is introduced, he attempts to rob Sam's wallet; this results in a fight, and Sam is killed; extremely masculine; intimidating in some way. Latino/mixed race.

MAN 3: Hospital Ghost/Lionel Ferguson/Ensemble
(Male, 30-40’s)
Vocal Range: C3 to A4
The Hospital Ghost is one of the main ghosts Sam encounters, solo song and is usually played older but not 100% necessary; great actor and singer required, naturalistic with attitude to him while hiding his sadness. Will also double in other roles as listed.

WOMAN 1 (Molly US): Mrs. Santiago/Bank teller/Nun/Ensemble
(Female 20’s-30’s)
Fantastic Vocalist with many featured roles throughout the show including the understudy of Molly.

WOMAN 2 (Oda Mae US): Clara/Ortisha Jones/Nun/Ensemble
(Female, 20-40)
Vocal Range: C4 to G5 (strong soulful belt)
Amazing vocalists; One of Oda Mae's helpers at her séance parlor; comedic part. Ideally cast as African American/mixed race.

WOMAN 3 (Oda Mae US option 2): Louise/Officer Wallace/Ensemble
(Female, 20-40)
Vocal Range: F3-G5
Amazing vocalists; One of Oda Mae's helpers at her séance parlor; comedic part. Ideally cast as African American/mixed race.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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