EVER AFTER - St. Paul Open Calls
Ordway Center for the Performing Arts
AUDITION DATES
Wed, Apr 10, 2019
1:30 pm (CDT)
Sat, Apr 13, 2019
10:00 am (CDT)
APPOINTMENTS
Contact casting@ordway.org to secure a slot indicating availability for the open call. A staff member will be back to you within 3 business days.
CONTRACT
COST COST; $1019/week minimum
SEEKING
Adult/Child Equity (AEA) and non-Equity Actors, Twin Cities local hires preferred. See breakdown for details.
PREPARATION
Vocal Call: Prepare 32 bars of a vocal selection that displays range from the musical theatre canon. Females should bring a quirky comedic selection. (Please avoid Heisler & Goldrich pieces.)
Child actors should prepare a short familiar song, perhaps Happy Birthday or Twinkle, Twinkle Little Star.
LOCATION
Ordway Center
345 Washington St
Saint Paul, MN 55102-1419
Please use Traveler's Artist Entrance (Stage Door) located on 5th Street.
PERSONNEL
Producing Artistic Director: Rod Kaats
Casting Director: Sheena Janson Kelley
OTHER DATES
First Rehearsal: Tuesday, November 5, 2019
First Performance: Tuesday, December 3, 2019
Closing: Sunday, December 29, 2019
OTHER
An Accompanist will be provided for all auditions
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Danielle (Female, 20s) Spirited, independent, athletic problem solver – Strong Broadway/legit mix to high F with the ability to belt.
Rodmilla (Female 40s- 50s) Cold stepmother to Danielle – Belter with alto/mezzo range (Must belt a C).
Henry (Male, mid 20s- mid 30s) Headstrong, funny, stubborn prince. Legit tenor to high Ab, light pop sensibility.
Leonardo (Male 40s- 50s) Wise, genius, artist; confidante and advisor to Henry and Danielle. Can be baritone or tenor but must have high F.
Marguerite (Female 20s- mid 30s) Entitled, cruel; favored daughter of Rodmilla. Belter and ability to vocally turn on a dime with an excellent legit mezzo soprano.
Gustave (Male, 20s) Danielle’s loyal best friend from childhood – artist in training, Tenor.
Pierre Mallette (Male, 50s- 60s) Wealthy landowner, has sights on Danielle. Baritenor – needs a high F.
King Francis (Male, 40s- 60s) Monarch who asserts his authority over his own family. Competitive and stubborn. Baritone, must have a high F.
Queen Marie (Female, late 40s- 60s) Tolerant, kind, compassionate. Alto/Mezzo.
Jacqueline (Female, 20s- early 30s) Awkward, open-faced daughter of Rodmilla. Warm, smooth mix.
Laurent (Male, 30s) Captain to Francis, sidekick to Henry. Long suffering caretaker, loyal. Tenor, High G.
Young Danielle (Female Child, 8-12 yrs) Male/Female
Ensemble: (20s – 40s) Versatile singers and strong dancers to play various ensemble members: Courtiers, Servants, Cargo Master, Boemian Wanderers, Maurice, Louise, Auguste, etc.
16 Chorus Roles 8 Female, 8 Male
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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