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CAMELOT Equity Chorus Call Dancers - John W. Engeman Theatre Auditions

John W. Engeman Theatre

Posted June 24, 2011

This audition closed on July 13, 2011. View current auditions →

LOA chorus

CAMELOT – Equity Chorus Calls / Dancers who sing

John W. Engeman Theater (Northport, Long Island, NY) LOA; $339/week minimum

Producing Artistic Director: Richard T. Dolce

Music: Frederick Loewe

Book/Lyrics/Music: Alan Jay Lerner

Director: Alan Souza

Choreographer: Sidney Erik Wright

Music Director: Jon Balcourt

Casting Director: Stephen DeAngelis

1st rehearsal: 8/22/11 in NYC. Runs: 9/15 – 11/6/11 in Long Island.

During tech periods and performances, cast members will be provided with roundtrip transportation from Manhattan to the venue.

Equity Chorus Calls / Dancers Who Sing

Wednesday, July 13, 2011 at Pearl Studios “519”

10 AM — Equity male dancers 519 Eighth Avenue, 12th Floor

2 PM – Equity female dancers New York, NY

Be warmed and ready. Wear dance clothes and dance shoes.

Also prepare 16 bars of a traditional musical theatre song if asked to stay and sing (Lerner & Loewe, R & H etc.). Bring sheet music in correct key; accompanist provided but may not transpose.

Bring picture and resume, stapled together.

Seeking:

Ensemble Men:

Seeking ultra-masculine, ultra-aggressive, wildly passionate, handsome and well-built men, 20s-30s, 5’10” and taller. Must be outstanding singers and will participate in extensive stage combat. Acrobatics and dance a plus; some will appear shirtless. Understudies for Principals will be cast from the ensemble as well as the following supporting roles: Sir Dinadan, Sir Sagramore, Sir Lionel, Sir Castor, Sir Guilliam, Sir Bliant and Dap.

Ensemble Men:

Beautiful young women, 20s. Must be equally good singers and dancers. One will understudy Guenevere and voice Nimue.


For more information on the theater, go to
www.engemantheater.com. If unable to attend, please send photo and resume to Stephen DeAngelis, c/o Grey, 200 5th Avenue, 2nd Floor, New York, NY 10010 ATTN: “CAMELOT”.

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