Raven Theatre's HOW I LEARNED TO DRIVE Begins February 7
Raven Theatre continues its 2018-19 season with Paula Vogel's Pulitzer Prize-winning masterpiece HOW I LEARNED TO DRIVE, directed by Artistic Director Cody Estle. This artful, surprising and often-funny memory play that explores how we are shaped by the people who hurt us will play February 7 - March 24, 2019 on Raven's 99-seat East Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177. The press opening is Monday, February 11 at 7:30 pm.
Rural Maryland, 1960s. From behind the wheel of a Chevy '56, a woman named Li'l Bit navigates the tangled boulevards of her adolescence, reflecting on her complex and troubling relationship with her family. But old secrets and fresh discoveries abound as she struggles to accept her past and the demons that live there.
Comments Raven Theatre Artistic Director Cody Estle, "Paula Vogel's Pulitzer Prize winning How I Learned To Drive is as relevant today - if not regrettably more so - as it was in 1997 when the play premiered Off-Broadway. The play involves a woman looking back on a relationship with her uncle and her family during her adolescent years, which reveals a story all too common then and now. The #MeToo movement has shed light on the persistence of men using their positions of power to assault women sexually. This play is a reminder that this uncomfortable topic demands acknowledgment, conversation and action. Without such, how can we hope to stop the assault? I'm looking forward to presenting this revival of a powerful piece of writing by a titan of the American theatre."
The production team for HOW I LEARNED TO DRIVE includes: Jeffrey D. Kmiec (scenic design), Theresa Ham (costume design), Becca Jeffords (lighting design), Josh Schmidt (sound design), Abbie Cain (props design), Tony Churchill (projections design), Kathy Logelin (dialect coach), Stephen Johnson (dramaturg), Rachel Flesher (intimacy director), Lynn Baber (casting director), Chris Farrell (assistant director), Kristen Johnson (associate director), Chris Farrell (assistant director), Ian Liberman (assistant costume designer), Colin Kovarik (assistant sound designer), Eileen Rozycki (scenic artist), Cole von Glahn (production manager), Brian Sprague (technical director), Andy Kloubec (master electrician), Mara Sagal (stage manager) and Wilhelm Peters (assistant stage manager).
Quill Reading Series
Raven Theatre will present a staged reading of THE MINEOLA TWINS by Paula Vogel, directed by Kristen Johnson on Wednesday, February 27 at 7:30 pm (reception at 7 pm). Quill is a series of four staged readings produced in tandem with each of the plays in Raven's season. The readings provide an opportunity for audiences to engage further with the work of this season's playwrights and explore their artistic voice on stage. Each Quill reading features a pre-show reception with complimentary wine provided by Income Tax Bar. Admission is a suggested donation of $10.
About the Artists:
Paula Vogel (Playwright) has written How I Learned to Drive (Pulitzer Prize, New York Drama Critics Award, Obie Award, Lucille Lortel, Drama Desk, Outer Critics Circle and many more). Other plays include A Civil War Christmas, The Long Christmas Ride Home, The Mineola Twins, Hot 'N' Throbbing, The Baltimore Waltz, Desdemona, And Baby Makes Seven and The Oldest Profession. Her plays have been produced by Second Stage, New York Theatre Workshop, the Vineyard Theatre, Roundabout and Circle Repertory Company. Her plays have been produced regionally all over the country at the Center Stage, Intiman, Trinity Repertory, Woolly Mammoth, Huntington Theatre, Magic Theatre, The Goodman Theatre, American Repertory Theatre, Dallas Theatre, Berkeley Repertory, and Alley Theatres to name a few. Harrogate Theatre and the Donmar Theatre have produced her work in England.
Cody Estle (Director) became the Artistic Director at Raven Theatre in November 2017 where he had previously served as the Associate Artistic Director. His directing credits include The Gentleman Caller, The Assembled Parties, A Loss of Roses (named by Chicago Tribune honorable mention as one of the Year's Best in 2016), Dividing the Estate, Vieux Carré (named by Chicago Tribune as one of the Year's Best in 2014), Good Boys and True, Brighton Beach Memoirs, Boy Gets Girl and Dating Walter Dante at Raven Theatre; Damascus at Strawdog Theatre; Five Mile Lake at Shattered Globe Theatre; By the Water (named by Chicago Sun-Times honorable mention as one of the Top Theatre Productions of 2017) at Northlight Theatre; American Hero at First Floor Theatre; Scarcity at Redtwist Theatre; The Seagull and Watch on the Rhine at The Artistic Home; Don't Go Gentle at Haven Theatre; Uncle Bob at Mary-Arrchie Theatre and Hospitality Suite at Citadel Theatre. He's had the pleasure of assistant directing at Steppenwolf Theatre, Northlight Theatre, Marriott Theatre, Goodspeed Musicals, Court Theatre and Writers Theatre. Estle is a proud member of SDC and an alumnus of Columbia College Chicago.
PHOTO CREDIT: (pictured) Eliza Stoughton in a publicity image for Raven Theatre's production of HOW I LEARNED TO DRIVE. Photo by Christomer Semel.