The latest reviews and critic recommendations from Cabaret.
Well, my lambs, it has to be gay heaven and I must be dead if a drag queen named MargOH! Channing brings her Boozy Chanteusey act to Pangea - and on a Saturday night no less.
The tenth annual NIGHT OF A THOUSAND JUDYS show was the place to be last night, and a full house of Joe's Pub patrons knew it.
The Boys are back! Mama's Boys, that is.
Sue Matsuki presents a look back at 38 years in the business but she has never looked or sounded better, so here's looking forward to another 38.
With her new Stephen Sondheim tribute show, Donna McKechnie is thrilling audiences and honoring a dear friend.
Cheo Bourne and Lena Moy-Borgen started something wonderful before the pandemic and they have made a welcome return with all new gags, songs, and props.
Joanna Gleason returns to 54 Below with her musical memoir OUT OF THE ECLIPSE, one of the best shows one could hope to see on any stage, nightclub or otherwise.
Respected cabaret artist Susanne Mack recently finished a run of shows at Pangea and guest reviewer Andrew Poretz has some high praise for her.
Broadway veteran and renaissance man Jess LeProtto does proud all of the song-and-dance men who paved the way for him, in his solo show GOTTA BE ME.
With Karen Ziemba and Deborah Grace Winer leading the way, the premiere instalment of SONGBOOK SUNDAYS is a mass of musical fire and ice.
While the talent line-up for the show was incredible people with fabulous voices, Scott could very well have performed his show singing all by himself and it would have been a fine night of cabaret.
The singing actor delivered pure joy and perfect vocals to his Green Room 42 audience last week.
Brandi Burkhardt is ready to tell her own stories, and what better place to do it than on the solo concert stage?
Ann Hampton Callaway grew up influenced by the artistry of Peggy Lee.
In her one-woman musical memoir about MERRILY WE ROLL ALONG, Ann Morrison creates new theater worth seeing.
There are those performers who are so proficient that they continually must live up to their own standard while always raising their personal bar.
The important and impressive series at 54 Below highlighting new composers puts musical theater writer Brandon Webster center stage.
For their fourteenth installment of MUSEMATCH, Bill Coyne and Authenteur Inc.
Reviving her hit show from 2018, Leslee Warren proves that good things only get better with time.
Scott Coulter presents another stellar night honoring the graduates and the program out of CCM.
Holly Ann Butler puts the life of the theaterical understudy in the spotlight in her new club act COVER ME.
Led by Ry Armstrong, they and their friends come together to gender-bend and recreate songs from Broadway and beyond through arrangements never heard before, in a non-binary celebration of live.
When self-described Odd Couple Ava Nicole Frances & Charlo Crossley created MUTUAL ADMIRATION, it was a sister act, but when they invited their women friends to join them, it became so much more.
On a whim, this statuesque trans-warrior goddess decided to concoct a show all about MARY.
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My Body, My Cabaret The Green Room 42 (8/29-8/29) |
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The Bryce Edwards Frivolity Hour BIRDLAND (9/14-9/14) |
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Will Kelley: For the Record Laurie Beechman Theatre (8/29-8/29) |
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KID OF NEW YORK 54 Below (9/25-9/25) |
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Marcus Goldhaber: The Promise of You 54 Below (9/18-9/18) |
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Sarah Kang w/ Takahiro Izumikawa Joe's Pub (9/29-9/29) |
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Caamaño&Ameixeiras Joe's Pub (1/23-1/23) |
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Broadway Barfly LIVE! With Robert Driemeyer Laurie Beechman Theatre (11/17-11/17) PHOTOS VIDEOS |
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Solstice Sessions: Blind Duet Cabaret 54 Below (11/20-11/20) |
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Project 2026: Blue Tsunami! Don't Tell Mama (10/20-10/20) |
