Review: KINKY BOOTS at Château du Karreveld
Vincent Heden's bold, controversial Lola anchors a Kinky Boots that stumbles early and dances late — but Bruxellons' craft makes it sing regardless.…
Vincent Heden's bold, controversial Lola anchors a Kinky Boots that stumbles early and dances late — but Bruxellons' craft makes it sing regardless.…
What did our critic think of KINKY BOOTS at CHATEAU DE KARREVELD?…
Operettas are difficult to put on in today’s modern world. Their theatrical language asks for lightness, rhythm, caricature, and elegance, all at the same time. Put too much weight on them and they collapse. Treat them too casually and they become empty.…
Before the curtain rises, a Pasolini quote appears. It’s a clear warning this TOSCA won’t simply walk through Puccini’s Rome. It’ll filter it through Italian cinema, religion, power, desire, and violence.…
BLOC’s spring double bill brings together two short comic operas, THE ZOO and TRIAL BY JURY, and it’s the kind of evening that reminds you how satisfying light opera can be when it’s played with genuine skill. It’s colourful, musically confident, and consistently fun. You can feel the compan…
BARTLEBY begins with a tease. The curtain only rises a little, just enough to show feet. Expressive. Unexpected and intriguing from the first second. When it finally lifts, Vincent Lemaire’s set reveals itself in clean, minimal lines, white bricks, a black table, black chairs, and a bust. It’s a…
What did our critic think of LA PETITE ANNONCE FAITE À MARIE AT THÉÂTRE ROYAL DU PARC at Theatre Du Parc?…
MEDUSA at La Monnaie opens with a sound that feels like it’s coming from somewhere far away, then closer, then right at your throat. An eerie choral orchestration approaches in waves, growing louder and heavier, until the stage itself seems to answer it. A black set begins to move, pivot, and brea…
Some evenings remind you why opera exists. LUCREZIA BORGIA at Opéra Royal de Wallonie-Liège did exactly that, in a space that feels fully aligned with what opera stands for, vocal mastery, ritual, and a visual world built to carry myth sized emotion.…
Art Fantesies has built its reputation in Belgium on family friendly musical theatre with big heart and big visuals, and ALICE ET LA PIERRE D’OPAZE fits that identity perfectly. Conceived for the company's 20th anniversary, as an original sequel to Alice in Wonderland, the story follows Alice as s…
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La Monnaie Symphony Orchestra, under the direction of Alain Altinoglu, will perform Massenet's Werther at the Salzburg Festival for the first time. This production features notable soloists including Benjamin Bernheim as Werther, Marianne Crebassa as Charlotte, and Sandra...
After the success of his Parsifal, Romeo Castellucci is returning to Brussels with an ambitious project, initiated by La Monnaie, which he will be staging in two European capitals. In fact, he is going to offer us a double reflection on love and death based on Christoph...
Hector Berlioz was undoubtedly one of the pioneers among the great reformers of music of the 19th century. He was better able than anyone to make use of the potential of the orchestra, was highly expressive in his harmony, often took literary examples as his guide in shaping his...
The soprano Véronique Gens is a specialist in the Baroque period and Mozart, whose performance in Iphige?nie en Aulide and as Vitellia in La Clemenza di Tito we recently enjoyed at La Monnaie. She is not only renowned for her charisma and distinctive voice in opera but also in...
In the various standard ensembles and in a variety of other groupings, our musicians play well-known chamber music gems. You do not have to be a seasoned expert in chamber music to come and enjoy these superb short concerts or to talk with the musicians and likeminded...
Love inspires my endeavours, true love fears nothing.’ Leonora dresses up as a man and under the name of Fidelio, finds work in the prison where her husband Florestan is being held as a political dissident. Through her tenacity, love and sacrifice, she is able to save Florestan...
For her new recital at La Monnaie, Anna Caterina Antonacci is performing a programme of baroque music chosen to suit and show off her tragic heroine temperament and her expressive virtuosity. She has gone back to the origins of opera – beginning with the first master of the...
A substantial part of Messiaen’s oeuvre took shape under the influence of his faith. The Trois Petites Liturgies de la Pre?sence Divine were composed shortly after the Quatuor pour la fin du temps, based on one of Messiaen’s own writings. Messiaen explored rhythms and timbres...
For this world premier the composer Philippe Boesmans, a prominent figure in the opera history of the last thirty years with Reigen, Wintermärchen, Julie and Yvonne, Princesse de Bourgogne, wanted the author and director Joël Pommerat to adapt his play Au monde, which La Monnaie...
It was at the age of 22, at the start of his stay in Italy, that Handel composed his second oratorio, La Resurrezione, whose subject was the Biblical account of Christ’s resurrection. This brilliant score shows Handel’s dramatic talent to the full, not only in the special...
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LE ROI SOLEIL FOREST NATIONAL (3/20-3/20) |
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Tango Passion Théâtre Royal (4/10-4/10) |
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Bulent Ersoy Stadsschouwburg Antwerpen (11/06-11/06) |
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Jeanne d''Arc by the Glen Lambrecht Ballet Capitole Gent (12/01-12/01) |
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Mathieu Stepson Cirque Royal (1/20-1/20) |
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La Musique du Roi Lion en concert Palais des Congrès - Europe (3/05-3/05) |
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De Tovenaar van Oz Capitole Gent (1/07-1/09) |
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101 Dalmatiërs Capitole Gent (12/23-1/03) |
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The Wallflowers Capitole Gent (11/18-11/18) |
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Johnny Logan & The New Bis Band Stadsschouwburg Antwerpen (4/17-4/17) |