BWW Review: The Guys Are Alright: SUPPORT GROUP FOR MEN at Contemporary American Theater Festival
Support Group for Men will send you away happy. There is nothing profound or challenging in this show: just a well-crafted and very funny comedy of manners, specifically the manners of the male of Species Homo Americanus, youthful to mid-life, as observed in a middle-class Chicago habitat....
BWW Review: Profoundly Moving CHESTER BAILEY at Contemporary American Theater Festival
Dougherty unspools the stories of Chester and Dr. Cotton, his treating physician, with novelistic skill. The feeling of truly being in the World War II period never lifts. The stories reel us in: Chester's of the way he deals with his injury, and Cotton's of hospital life in wartime, with its politi...
Patriarchy Run Rampant: A WELCOME GUEST at Contemporary American Theater Festival
Then the government, represented by its functionary Lucius (Michael Rogers), brings in Shimeus (Wade McCollum), a derelict of another sort, whimpering and traumatized by an arson that killed everyone else in his family. Lucius orders the Browns to harbor Shimeus as a guest. Almost immediately, howev...
BWW Review: You'll Laugh, You'll Shiver: WRECKED at Contemporary American Theater Festival
It's an old trick, but a good one: Set two contrasting dramatic tones (usually domestic comedy and dread) against each other and let them fight it out throughout a play. It's the trick playwright Greg Kalleres employs to advantage in Wrecked,...
MY LORD, WHAT A NIGHT! at Contemporary American Theater Festival: Clashing Views on Resisting Racism
The drama works because of the intriguing way the characters' ideas about how to act in response to Marian Anderson's two provocative exclusions (first from Nassau Inn and then from Constitution Hall) shift repeatedly in response to new information, so that consensus is almost impossible to achieve,...
Brooklyn Is In Him: ANTONIO'S SONG at Contemporary American Theater Festival
And now of course we are into the story of Antonio's family of origin, and the world of his origin, which has conditioned him to behave this way, which implicitly and explicitly looks to its men to solve problems with violence....
BWW Review: BLACKBEARD at Signature Theatre - A World Premiere Musical About Pirates Will Put a Smile on Your Face
Credit Signature Artistic Director Eric Schaeffer for this season on a high....
BWW Review: MATILDA at Olney Theatre Center- A Wondrous Musical Fit for Families to Enjoy
Let me admit when I saw MATILDA on Broadway in 2013 (winner of 5 Tony Awards), I did not enjoy it. I just could not understand the character of the buffoon Miss Trunchbell, the Olympian hammer throwing athletic principal of Matilda's school. He was the villain of all villains....
BWW Review: Necessity and Realism Prevail Along with Enchantment in LOVE'S LABOUR'S LOST at Chesapeake Shakespeare Company
Berowne gloomily foresees: 'Necessity will make us all forsworn Three thousand times within this three year's space.' And by 'necessity' we can be sure he means not simply the logistical necessity of dealing with women but what we might call Jurassic Park Necessity: Life finds a way. As Shakespeare...
BWW Review: DISASTER! at Cockpit in Court Summer Theatre at Essex Community College is a HOOT
BWW Review: DISASTER! at Cockpit in Court Summer Theatre at Essex Community College is a HOOT...
BWW Review: Topical and Mostly Sure-Footed Rendering Of ARTURO UI from Scena
A thinly-disguised parable of the ascendancy of Adolf Hitler, The Resistible Rise of Arturo Ui may have been written in 1941, but it may as well have been addressed directly to Americans of 2019....
BWW Review: DISASTER! Slays at Cockpit In Court
Disaster! lovingly pokes fun at two staples of 1970s popular culture: disaster movies like Towering Inferno and The Poseidon Adventure and the disco-heavy pop music of the era. Whether to go is not going to present any great dilemmas. This is a perfect summer evening's smart-alecky entertainment....
BWW Review: A DOLL'S HOUSE, PART 2 at Round House Theater - A Powerful Production
When you leave the theater and you immediately purchase a copy of the play, that should indicate that you have really enjoyed it. This does not happen often but it happened to me as I left the Lansburgh Theatre (temporary home of the Round House during renovations) in DC. I loved A DOLL'S HOUSE, PAR...
BWW Review: HELLO, DOLLY! At the Kennedy Center Opera House - A Little Bit of Nostalgia
I had never seen a professional production of HELLO, DOLLY! until now. I recall the 1969 film with Walter Matthau and Barbra Streisand. I did see the play it is based on, THE MATCHMAKER by Thornton Wilder at the Williamstown Theatre Festival and really did not enjoy it....
BWW Review: THE CRUCIBLE at The Vagabond
Fake news circa 1692. No one is safe when the accusations start flying in superstitious Salem....
BWW Review: MARY STUART at Olney Theatre Center - The Story about Queen Elizabeth I and Mary Queen of Scots Comes Alive
Everyman Theatre is presenting two plays in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. Olney Theatre's wonderful MARY STUART could be labeled QUEENS GIRLS IN ENGLAND AND SCOTLAND....
BWW Review: The Songs May Not Stick, But the Happiness Will in Iron Crow's Production of A NEW BRAIN
The strange thing about this lyrical cornucopia: it doesn't stick in the mind much as one departs. There is a deliberate effort to craft just such a song, 'I Feel So Much Spring,' as the closer, and it feels and sounds good, but by the time the song finishes, there have been so many harmonic variati...
BWW Review: QUEEN'S GIRL IN THE WORLD and QUEENS GIRL IN AFRICA - Performed in Repertory at Everyman Theatre
I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!...
BWW Review: SPUNK at Signature Theatre - It's a Delight
George C. Wolfe's SPUNK was first staged at New York's Public Theater in 1990. It is based on Zora Neale Hurston's 1937 novel 'Their Eyes Were Watching God'....
BWW Review: FAME THE MUSICAL at Gala Hispanic Theatre
Luis Salgado is quickly becoming known as an acclaimed director and choreographer. He has just returned from Germany where he served as Associate DirectorChoreographer for Cirque du Solieil's PARAMOUR. Two years ago he directed and choreographed the Helen Hayes winning musical IN THE HEIGHTS at the ...
BWW Review: OSLO at Round House Theatre - Complelling Theater
Do not miss this three hour thriller about diplomacy about the Middle East makes its regional premiere....
BWW Review: Rumor Has It that RUMORS at Just Off Broadway is a Delightfully Funny Production
Just Off Broadway's (JOB) delightful production of Neil Simon's RUMORS includes exactly what we all need right now - an evening full of plenty of laughs. From the setup to the final pay off, this cast brings the chuckles (and a few guffaws) to a decades old script, that still holds up today. The sto...
BWW Review: THE 39 STEPS at Rep Stage in Columbia - It's a Sheer Delight!
When I left the Studio Theatre at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia where the Rep Stage is housed, I went up to Director Joseph W. Ritsch with a big smile on my face. He told me he wanted to end their season with a comedy that audiences would enjo...
BWW Review: BLITHE SPIRIT at Vagabond Players - Community Theater at Its Best
I do wish I could get to more community theater. It has been too long since my last review of shows that deserve moer attention. There are a plethera of local such productions in the Baltimore/Washington area which provide affordable and entertaining theater. I recently attend the Charm City Players...
BWW Review: THE WHO'S TOMMY at the Kennedy Center
From the beginning strumming of the electric guitars (Manny Moreira, Jim Roberts and Paul Henry) from the fabulous Kennedy Center Orchestra's 8-piece orchestra (Joe Mowart on Drums, Geoffrey Pilkington on Horn, and on Keyboards Michael Gacetta, Anthony Nalker, and Alex Tang) I was hooked. I had a pe...
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