| Browse: | 📅 Year | ★ Award | 🎫 Search |
| Note: Award winners will appear on a | RED BACKGROUND |
| Awards | Category | Nominee | Show |
| Tony Awards | Best Book of a Musical | Hunter Bell | [Title of Show] production took place the previous year |
| Tony Awards | Best Book of a Musical | Lee Hall | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Book of a Musical | Brian Yorkey | Next to Normal
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| Tony Awards | Best Book of a Musical | David Lindsay-Abaire | Shrek The Musical production took place the previous year |
| Tony Awards | Best Choreography | Andy Blankenbuehler | 9 to 5: The Musical
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| Tony Awards | Best Choreography | Peter Darling | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Choreography | Karole Armitage | Hair
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| Tony Awards | Best Choreography | Randy Skinner | Irving Berlin's White Christmas
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| Tony Awards | Best Costume Design of a Musical | Nicky Gillibrand | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Costume Design of a Musical | Michael McDonald | Hair
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| Tony Awards | Best Costume Design of a Musical | Gregory Gale | Rock of Ages
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| Tony Awards | Best Costume Design of a Musical | Tim Hatley | Shrek The Musical
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| Tony Awards | Best Costume Design of a Play | Martin Pakledinaz | Blithe Spirit
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| Tony Awards | Best Costume Design of a Play | Dale Ferguson | Exit the King
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| Tony Awards | Best Costume Design of a Play | Anthony Ward | Mary Stuart
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| Tony Awards | Best Costume Design of a Play | Jane Greenwood | Waiting for Godot
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| Tony Awards | Best Direction of a Musical | Stephen Daldry | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Direction of a Musical | Diane Paulus | Hair
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| Tony Awards | Best Direction of a Musical | Michael Greif | Next to Normal
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| Tony Awards | Best Direction of a Musical | Kristin Hanggi | Rock of Ages
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| Tony Awards | Best Direction of a Play | Matthew Warchus | God of Carnage
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| Tony Awards | Best Direction of a Play | Bartlett Sher | Joe Turner's Come and Gone
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| Tony Awards | Best Direction of a Play | Phyllida Lloyd | Mary Stuart
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| Tony Awards | Best Direction of a Play | Matthew Warchus | The Norman Conquests
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| Tony Awards | Best Lighting Design of a Musical | Rick Fisher | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Lighting Design of a Musical | Kevin Adams | Hair
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| Tony Awards | Best Lighting Design of a Musical | Kevin Adams | Next to Normal
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| Tony Awards | Best Lighting Design of a Musical | Howell Binkley | West Side Story
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| Tony Awards | Best Lighting Design of a Play | David Lander | 33 Variations
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| Tony Awards | Best Lighting Design of a Play | David Hersey | Equus production took place the previous year |
| Tony Awards | Best Lighting Design of a Play | Brian MacDevitt | Joe Turner's Come and Gone
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| Tony Awards | Best Lighting Design of a Play | Hugh Vanstone | Mary Stuart
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| Tony Awards | Best Musical | Universal Pictures Stage Productions | Billy Elliot, The Musical Producer; Production took place the previous year |
| Tony Awards | Best Musical | Ellen Richard | Next to Normal Producer |
| Tony Awards | Best Musical | Max Gottlieb/John Butler | Rock of Ages producer |
| Tony Awards | Best Musical | Dreamworks Theatricals | Shrek The Musical producer; production took place the previous year |
| Tony Awards | Best Orchestrations | Martin Koch | Billy Elliot, The Musical
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| Tony Awards | Best Orchestrations | Larry Blank | Irving Berlin's White Christmas
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| Tony Awards | Best Orchestrations | Michael Starobin | Next to Normal
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| Tony Awards | Best Orchestrations | Danny Troob | Shrek The Musical production took place the previous year |
| Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Dolly Parton | 9 to 5: The Musical
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| Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Elton John | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Brian Yorkey | Next to Normal
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| Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Jeanine Tesori | Shrek The Musical production took place the previous year |
| Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Marc Kudisch | 9 to 5: The Musical
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| Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | David Bologna | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Will Swenson | Hair
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| Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Christopher Sieber | Shrek The Musical production took place the previous year |
| Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Zach Grenier | 33 Variations
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| Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Roger Robinson | Joe Turner's Come and Gone
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| Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Paul Ritter | The Norman Conquests
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| Tony Awards | Best Performance by an Actor in a Featured Role in a Play | John Glover | Waiting for Godot
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | David Alvarez | Billy Elliot, The Musical
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Gavin Creel | Hair
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | J. Robert Spencer | Next to Normal
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Constantine Maroulis | Rock of Ages
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Brian d'Arcy James | Shrek the Musical
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Geoffrey Rush | Exit the King
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Play | James Gandolfini | God of Carnage
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Thomas Sadoski | Reasons to Be Pretty
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| Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Raul Esparza | Speed-the-Plow production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Haydn Gwynne | Billy Elliot, The Musical production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jennifer Damiano | Next to Normal
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| Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Martha Plimpton | Pal Joey production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Karen Olivo | West Side Story
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| Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Angela Lansbury | Blithe Spirit
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| Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Hallie Foote | Dividing the Estate production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Marin Ireland | Reasons to Be Pretty
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| Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Amanda Root | The Norman Conquests
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Allison Janney | 9 to 5: The Musical
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Alice Ripley | Next to Normal
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Stockard Channing | Pal Joey production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Sutton Foster | Shrek The Musical production took place the previous year |
| Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Josefina Scaglione | West Side Story
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Jane Fonda | 33 Variations
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Hope Davis | God of Carnage
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| Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Harriet Walter | Mary Stuart
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| Tony Awards | Best Play | Tectonic Theater Project | 33 Variations Producer |
| Tony Awards | Best Play | Lincoln Center Theater | Dividing the Estate Producer; Production took place the previous year |
| Tony Awards | Best Play | Robert Fox | God of Carnage Producer |
| Tony Awards | Best Play | Gary Goddard Entertainment | Reasons to Be Pretty Producer |
| Tony Awards | Best Revival of a Musical | Sonia Friedman Productions | Guys and Dolls producer |
| Tony Awards | Best Revival of a Musical | Jeffrey Richards | Hair producer |
| Tony Awards | Best Revival of a Musical | Roundabout Theatre Company | Pal Joey producer |
| Tony Awards | Best Revival of a Musical | Broadway Across America | West Side Story producer |
| Tony Awards | Best Revival of a Play | Lincoln Center Theater | Joe Turner's Come and Gone producer |
| Tony Awards | Best Revival of a Play | Daryl Roth/James L. Nederlander/Chase Mishkin | Mary Stuart
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| Tony Awards | Best Revival of a Play | Steven Baruch | The Norman Conquests producer |
| Tony Awards | Best Revival of a Play | Roundabout Theatre Company | Waiting for Godot producer |
| Tony Awards | Best Scenic Design of a Musical | Ian MacNeil | Billy Elliot, The Musical
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| Tony Awards | Best Scenic Design of a Musical | Robert Brill | Guys and Dolls
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| Tony Awards | Best Scenic Design of a Musical | Mark Wendland | Next to Normal
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| Tony Awards | Best Scenic Design of a Musical | Scott Pask | Pal Joey production took place the previous year |
| Tony Awards | Best Scenic Design of a Play | Derek McLane | 33 Variations
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| Tony Awards | Best Scenic Design of a Play | Dale Ferguson | Exit the King
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| Tony Awards | Best Scenic Design of a Play | Michael Yeargan | Joe Turner's Come and Gone
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| Tony Awards | Best Scenic Design of a Play | Rob Howell | The Norman Conquests
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| Tony Awards | Best Sound Design of a Musical | Paul Arditti | Billy Elliot, The Musical
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| Tony Awards | Best Sound Design of a Musical | Acme Sound Partners | Hair
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| Tony Awards | Best Sound Design of a Musical | Brian Ronan | Next to Normal
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| Tony Awards | Best Sound Design of a Musical | Peter Hylenski | Rock of Ages
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| Tony Awards | Best Sound Design of a Play | Russell Goldsmith | Exit the King
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| Tony Awards | Best Sound Design of a Play | Gregory Clarke | Equus production took place the previous year |
| Tony Awards | Best Sound Design of a Play | Leon Rothenberg | Joe Turner's Come and Gone
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| Tony Awards | Best Sound Design of a Play | Paul Arditti | Mary Stuart
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| Tony Awards | Best Special Theatrical Event | John Scher | Liza's at The Palace producer; production took place the previous year |
| Tony Awards | Best Special Theatrical Event | David J. Foster | Slava's Snowshow producer; production took place the previous year |
| Tony Awards | Best Special Theatrical Event | Eastern Shanghai International Culture Film & Television Group | Soul of Shaolin
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| Tony Awards | Best Special Theatrical Event | Ergo Entertainment | You're Welcome America. A Final Night with George W. Bush producer |
| Tony Awards | Regional Theater Tony Award | Signature Theatre, Arlington, Va. |
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| Tony Awards | Revival (Musical) | Oskar Eustis | Hair
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| Tony Awards | Special Tony Award | Phyllis Newman |
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| Tony Awards | Special Tony Award for Lifetime Achievement in the Theatre | Jerry Herman |
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| Tony Awards | Tony Honors for Excellence in the Theatre | Shirley Herz |
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