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Robert Gould - Page 5

Robert Gould

      Robert Gould taught history and wrote history textbooks before beginning to write librettos and lyrics for musical theatre. With Christopher J. Orton, he has co-written the musicals “Based On A True Story” (a workshop production of which was presented at the Jermyn Street Theatre in 2010), “My Land's Shore” (which received its world premiere production at Ye Olde Rose & Crown Theatre, London in February 2017, garnering an Off West End Award nomination as Best New Musical), and “Grace Notes” (a finalist in the Leicester Square Theatre New Musical project in 2014). 

He also writes songs with Joe Sterling (including lyrics for the album "Somewhere In My Mind - the Songs of Joe Sterling") and  with Alex James Ellison (including songs for their EP, “Favourite Sins”). With composer Rob Eyles, he has written the musical “A Pebble For Aaron” (a finalist for the 2016 Stiles And Drewe Mentorship Award), and a musical based on the Grimm Brothers’ fairy tale, “The Wonderful  Musician” (which was work-shopped at the Arts Educational School in April 2017). Eyles and Gould staged a sell-out concert – “I Wasn’t Thinking At All” – at The Pheasantry in 2015 and their debut album “As Long As I Have Music” was released  in June 2016.  

An album of songs with Robert Gould’s lyrics, “Words Shared With Friends”, was nominated for a 2014 BroadwayWorld Album Award as Best Compilation Album.

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BWW Reviews: SPRING AWAKENING, Greenwich Playhouse, June 11 2011

June 13, 2011

Based on Frank Wedekind's dramatized polemic against the sexually repressive culture of nineteenth century Germany, Spring Awakening - a tale of the sexual awakening of a group of teenagers with a beautiful and highly energised rock score by Duncan Sheik and Steven Sater - earned 8 Tony Awards in 20

Review: A LITTLE NIGHT MUSIC, Theatre du Chatelet, Paris, February 20, 2010

February 22, 2010

It is not often that a production of a vintage piece of musical theatre overshadows the original production but that is precisely what happened during a magical new staging of the Stephen Sondheim/Hugh Wheeler musical A Little Night Music at the Theatre du Chatelet in Paris last week.




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