BWW Review: MUSEUM 2040 at 4615 Theatre Company
'Museum 2040' is a stunning, meticulous look at the future we face if we don't break out of the cycles that have become a part of American life.
Rachael F. Goldberg - Page 5
BWW Review: EASY WOMEN SMOKING LOOSE CIGARETTES at Signature Theatre
'Easy Women Smoking Loose Cigarettes' is a smart, insightful show with an incredibly talented cast and production team.
BWW Review: WORLD STAGES: LA CLEMENZA DI TITO at The Kennedy Center
Overall, 'La Clemenza di Tito' is an interesting take on the beloved Mozart piece, though it feels very rough as a production, and the Kennedy Center's Eisenhower Theater may not be the ideal venue for this staging.
BWW Review: WORLD STAGES: HEROINE at The Kennedy Center
'Heroine' handles a number of deep, complex issues.
BWW Review: NO EXIT at Live Garra Theatre
'No Exit' itself is a wonderful source material, and it was intriguing to hear Live Garra Theatre's plans to update and add an escape room element to the famous play.
BWW Review: EDWARD ALBEE'S OCCUPANT at Theater J
'Occupant' is a beautiful, intimate piece about a fascinating woman, presented in a clever and engaging manner.
BWW Review: JUNK at Arena Stage
Arena Stage's production of 'Junk' marks the Washington, DC area premiere of the critically acclaimed play, and, happily, Arena's production is more than up to the task of living up to the show's reputation.
BWW Review: THE HEIRESS at Arena Stage
Perhaps the biggest problem with 'The Heiress' is that it's difficult to invest in.
BWW Interview: Mona Mansour of THE VAGRANT TRILOGY at Atlas Performing Arts Center
Mona Mansour is a member of the Public Theater's Emerging Writers Group and a resident playwright at New Dramatists.
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