Michela Dwyer

What did our critic think of GIGENSIS: THE GENERATION OF THE EARTH at Kennedy Center? In his new work “GIGENSIS: The Generation of the Earth,” Akram Khan interprets a story of familial relations from the ancient Sanskrit epic The Mahabharata. 

What did our critic think of PAUL TAYLOR DANCE COMPANY at Kennedy Center?

What did our critic think of THE WASHINGTON BALLET'S 'THE NUTCRACKER' at Warner Theater?

What did our critic think of BALLETX at Kennedy Center?

The National Ballet of Ukraine and the Shumka Dancers recently performed a beautiful program at the Kennedy Center Opera House aptly titled Nadiya Ukraine, “nadiya” meaning “hope” in Ukrainian. In a two-hour show, the audience witnessed the richness of Ukrainian culture, the bleak interpersonal realities of war, and the courage of Ukrainians to find joy through it all.

What did our critic think of DISTRICT CHOREOGRAPHER'S DANCE FESTIVAL 2024 at Dance Place?

What did our critic think of PARTINGS: DANCES OF LETTING GO at Cafritz Hall?

In A Good Woman, a new work of dance theater premiering at this year’s Capital Fringe Festival, Nerissa Tunnessen and Samantha Xiao Cody construct a space of rich significance in which they reexamine a classic tale. 

What did our critic think of 10,000 DREAMS: A CELEBRATION OF ASIAN CHOREOGRAPHY, PROGRAM B at Kennedy Center?

What did our critic think of THE WASHINGTON BALLET'S BEYOND BOUNDARIES, AN EVENING CURATED BY ANNABELLE LOPEZ OCHOA at Kennedy Center?

What did our critic think of THE WHITE FEATHER, A PERSIAN BALLET at Kennedy Center?

What did our critic think of GRUPO CORPO at Kennedy Center?

What did our critic think of AMERICAN BALLET THEATRE: SWAN LAKE at Kennedy Center?