Review - Candy Tastes Nice
The woman who went by the pseudonym Natalie Dylan, a self-described feminist with a B.
Michael Dale - Page 136
Review - Belleville & The Revisionist
As a public service for playgoers who do not understand French, nothing of any importance takes place in the final scene of Amy Herzog's Belleville.
Review - Passion
Out of necessity, people tend to fall in love rather quickly in musical theatre.
Review - Katie Roche
While several of New York's non-profit theatre companies have been pursuing the noble cause of creating more exposure for contemporary women playwrights, the Mint Theatre Company has been cornering the market on the dead ones.
Review - Lend Me A Tenor & The Broadway Musicals of 1937
If the Broadway revival of a few years back demonstrated the deadly results that can occur when overthinking and underplaying a quality farce, the new Paper Mill mounting is a fast a furious example of Ken Ludwig's madcap Lend Me A Tenor done right.
Review - All In The Timing
Near the end of 'Sure Thing,' one of the sextet of David Ives one-act comedies that make up All In The Timing, a pair of strangers meeting in a café bond over their mutual love for the early films of Woody Allen.
Review - Clive
Bertolt Brecht's Baal is pretty much the type of play you'd expect to be written by a 20-year-old student who would eventually become known for using dramatic techniques meant to alienate the audience from any emotional connection to the characters.
Review - Manilow On Broadway
I'm writing these words fully aware that there is no opinion I can express in the ensuing paragraphs that will ever have any effect on anyone's decision whether or not to buy tickets for Manilow On Broadway.
Review - Bad Pun Alert
Reading about the new Lanford Wilson revival makes me wonder if the weekly grosses for the last Stephen Sondheim Broadway revival were known as Follies' Tally.
Review - Fiorello!
In musicals like Fiddler On The Roof, She Loves Me and The Apple Tree, the team Jerry Bock (music) and Sheldon Harnick (lyrics) once graced Broadway with scores that found poetry and elegance in the lives of everyday people.
Review - Picnic
The women who took over the American workforce during World War II were abruptly expected to quit once the boys started coming home.
Review - Don't Cry For Me, Cinderella
There is no truth to the rumor that at tonight's closing performance of Evita, Ann Harada played Peron's Mistress and sang 'Why Would A Fellow Want A Girl Like Her?'
Review - It Takes A Woman
Tracy Morgan was on The View today and said he'd like to play the title role in a Broadway revival of Hello, Dolly!, but when asked to sing a bit of the song he said he didn't know it.
Ten Theatre Issues We Talked About in 2012
A legendary flop gets a second chance, a fabled night spot closes as a new one opens and a mysterious investor supposedly dies of malaria.
BROADWAY RECALL: The Political Stage
With serious issues at stake in Tuesday's upcoming election, let's take a break with some of Broadway's sillier looks at the commander-in-chief.
BROADWAY RECALL: Letts Review
Playwright/actors like Noel Coward, George M.
BROADWAY RECALL: Annie's At The Palace
With a new production of Annie now previewing on Broadway, it looks like Gwen Verdon may have to relinquish her title as the most famous redhead to have played the Palace.
BROADWAY RECALL: Treasure Hunting at The Broadway Flea Market
Next to front row seats for the newest smash hit, few things get theatre fans excited like the Annual Broadway Flea Market & Grand Auction, benefitting Broadway Cares/Equity Fights AIDS.
BROADWAY RECALL: Forbidden Once Again
A little over thirty years ago Gerard Alessandrini was just another struggling young musical theatre actor who enjoyed doing what a lot of struggling young musical theatre actors do in between summer stock and dinner theatre gigs; write parody lyrics of famous showtunes.
BROADWAY RECALL: Eve Ensler Goes Legitimate
When Todd Akin spoke, Eve Ensler responded.
