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Michael Dale - Page 135

Michael Dale After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.

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Review - Jekyll and Hyde

May 3, 2013

Quite appropriately, Jekyll and Hyde is one of the most polarizing musicals ever to hit New York.

Review - The Memory Show

Review - The Memory Show

May 1, 2013

At separate moments early on in Sara Cooper (book/lyrics) and Zach Redler's (music) ambitious and noteworthy The Memory Show, each of the musical's two characters refers to herself as being a funny person while acknowledging that funny people are often the sad ones.

Review - Orphans

Review - Orphans

April 30, 2013

For those who would enjoy David Mamet plays if there wasn't so much cursing and misogyny, I offer Lyle Kessler's very funny, testosterone-laced drama, Orphans.

Review - Here Lies Love

Review - Here Lies Love

April 26, 2013

The only thing that'll keep you from dancing in aisles at The Public Theater's production of the enormously fun and exhilarating new musical, Here Lies Love, is the fact that there are no aisles.

Review - The Nance

Review - The Nance

April 24, 2013

I suppose the problem with being the greatest Broadway comic actor of your generation is that once the label sticks you rarely get the opportunity to prove that you can also turn in great dramatic performances.

Review - The Big Knife & Matilda

Review - The Big Knife & Matilda

April 20, 2013

Theatre writers who were lured to that other coast by Hollywood greenbacks have been known to express their disillusionment with the film industry via the Broadway stage.

Review - The Call

Review - The Call

April 16, 2013

After numerous miscarriages, unsuccessful tries with fertility medications and an arrangement with a pregnant American woman that falls through, white metropolitan couple Annie and Peter (Kerry Butler and Kelly AuCoin) decide to adopt a child from Africa.

Review - Lucky Guy

Review - Lucky Guy

April 6, 2013

In a time when discussions of rape culture and the possibility of the media slanting rape coverage against accusers are controversial subjects in our national conscious, its rather fortunate timing that the highest profile play of the Broadway season involves a New York tabloid reporter whose career

Review - Breakfast At Tiffany's

Review - Breakfast At Tiffany's

March 30, 2013

Even if Richard Greenberg's stage adaptation of Truman Capote's Breakfast At Tiffany's doesn't completely seduce Broadway, I have a hunch that shortly after the amateur and regional rights eventually become available, this will be one of the most produced plays in the country.

Review - Detroit '67

Review - Detroit '67

March 18, 2013

Nearly 40 years ago, producer Norman Lear brought a television program about a black family's life in a Chicago housing project into millions of American homes.




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