After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.
When Stephen Sondheim and James Lapine's moralistic take on traditional European fairy tales, mostly penned by The Brothers Grimm, last hit town in a major production, it was April of 2002.
With New York's mayor pushing for size limits on sugary drinks and for keeping baby formula safely locked away until new moms are reminded of the benefits of breast milk, it seems like a good time for Bill Russell and Peter Melnick's tuneful and amusing new musical, The Last Smoker In America, which
People keep asking if anyone writes original musicals anymore, but some of the biggest success stories to come out of the New York Musical Theatre Festival have been originals.
If the Tony Awards annually strike the final chord for each New York theatre season, then the overture for the next one is undoubtedly trumpeted by The New York Shakespeare Festival's free performances at the Delacorte Theater
Thomas Kail's athletic and inventively theatrical directing chops (In The Heights, Lombardi, Magic/Bird) prove a perfect match for Stephen Flaherty and Lynn Ahrens' Caribbean story-theatre musical Once On This Island.
While diamonds may be a girl's best friend at this weekend's Encores! production of Gentlemen Prefer Blondes, there's a feisty flapper getting pretty chummy with a gang of hunky Olympic athletes and a wildly frenetic chorus of Charleston dancers.
If I said that Newsies hasn't improved any since its premiere engagement at Paper Mill would you roll your eyes and mumble something about how haters are going to hate?
Since its first edition in 1987, the annual Easter Bonnet Competition has capped off weeks of fundraising for Broadway Cares/Equity Fights AIDS with dozens of shows from Broadway, Off-Broadway and tours offering song and dance presentations, often featuring outlandish insider humor, topped off by th
As we remember Davy Jones, who went from Broadway supporting player to nationally known pop idol and then returned to the musical stage as an above-the-title star, we look forward to seeing Ricky Martin accomplish the same feat.