Review: LAST AND FIRST MEN - NEON DANCE, Coronet Theatre
Sci-fi, like most things, is an acquired taste, and not something you often find related to dance.
Matthew Paluch - Page 2
Latest Articles
Review: GISELLE, Royal Ballet And Opera
Giselle is a difficult ballet to get right.
Review: PIERROT LUNAIRE, Royal Ballet And Opera - Linbury Theatre
Marcelino Sambé currently stars in the revival of Glen Tetley’s Pierrot Lunaire at the Royal Ballet and Opera's Linbury Theatre and is supported by a very strong cast of Mayara Magri and Matthew Ball.
Review: WOOLF WORKS, Royal Ballet And Opera
Sir Wayne McGregor is a titan of the dance world - and a divisive one.
Review: SHADOWS - BALLET BLACK, Sadler’s Wells
Considering Ballet Black has been around for 24 years, it seems unbelievable that the current double bill Shadows is also a Sadler's Wells debut.
Review: MARKING TIME - NICO MUHLY, Sadler’s Wells
When a night is all about the music, and the music isn't for you, things aren't going to go smoothly.
Review: PERSPECTIVES: BALANCHINE, MARSTON, PECK, Royal Ballet And Opera
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck.
Review: INTO THE HAIRY - SHARON EYAL, Sadler’s Wells
Sharon Eyal and her S-E-D Dance Company return to Sadler's Wells with a UK premiere of INTO THE HAIRY, but if honest, I've definitely seen the material before.
Review: JOBURG BALLET - COMMUNION OF LIGHT, Royal Ballet And Opera
What did our critic think of JOBURG BALLET - COMMUNION OF LIGHT at Royal Ballet And Opera: Linbury Theatre?
Review: LANDSCAPE - ELENA ANTONIOU, Shoreditch Town Hall
Normally all we see are signs confirming no photography or filming at the theatre, but Elena Antoniou wants you to do the exact opposite during her work LANDSCAPE.
Review: DANCE UMBRELLA - SUNDAY SHORTS, Barbican Cinema
Dance Umbrella - the contemporary dance festival - started in 1978 and continues its mission today.
Review: BLACK HISTORY MONTH DRAFT WORKS, Royal Ballet And Opera
The Royal Ballet 25/26 season continues with Black History Month Draft Works, this year curated by principal dancer Marcelino Sambé.
Review: LIKE WATER FOR CHOCOLATE, Royal Ballet And Opera
Narrative ballet is hard, so anyone willing to go there deserves a medal regardless of the outcome.
Review: LONDON CITY BALLET - MOMENTUM, Sadler’s Wells
London City Ballet return for their second season with another mixed bill, and the results are also mixed.
Interview: 'Memories Are Already Alive In Every Movement': Choreographer Amit Noy on Family, Trauma And Making His Sadler's Well Debut
It's fair to say general consensus is never work with your family, yet Amit Noy is doing the exact opposite in his piece A Big Big Room Full of Everybody's Hope.
Review: THE LSO AT BOLD TENDENCIES, Peckham
Experiencing art in a former car park is never going to get old - cold perhaps - so I was glad to return to Bold Tendencies to sample their 2025 season titled Déjà vu.
Review: THE LION, THE WITCH AND THE WARDROBE, Sadler’s Wells
If it ain't broke, don't fix it - but by all means develop it into a one-show-does-all situation, which is very much the case for The Lion, The Witch and The Wardrobe currently showing at Sadler’s Wells.
Review: GISELLE - NATIONAL BALLET OF JAPAN, Royal Ballet And Opera
Current geopolitics mean the Royal Ballet and Opera no longer welcomes the big Russian companies - Bolshoi and Mariinsky - for summer seasons when the resident company take their annual break.
Review: SONGS OF THE BULBUL, Sadler’s Wells East
What did our critic think of SONGS OF THE BULBUL at Sadler’s Wells East?
Review: THE ROYAL BALLET SCHOOL SUMMER PERFORMANCE, Royal Ballet And Opera
Iain Mackay has devised a successful programme which shows the strength and breadth of the school, its current student body and the legacy that underpins the institution as we know it.
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