Eloquence without the elegance is how I'd describe Michael Stuhlbarg's scruffy, hyperactive and somewhat nerdy take on the title role in director Oskar Eustis' amusing hodgepodge of a production of Hamlet.
Musical theatre, at least in the popular denominations practiced here in Gotham, has long been known to preach a message of gay rights to an eagerly accepting congregation, and those who would deny the natural occurrence or the legal acceptance of homosexuality have been generally depicted as hatef
Arriving on Broadway six years after La, La, Lucille, followed-up by Yes, Yes, Yvette and inspiring Betty Comden and Adolph Green to imagine a musical named If, If, Iphigenia, No, No, Nanette is the kind of delectably frothy musical comedy confection you might not naturally associate with being the