Jennifer Perry - Page 15

Perhaps with some more work this show could be something special, but right now it's not there.

It's fun, but hardly for the history books.

In some rare cases, a decision to share tales of one's past can give the audience a theatrical experience that it will remember far after the last bow. Qurrat Ann Kadwani's solo piece 'They Call Me Q' is one of those shows.

Witty and informed....this is Fringe's must-see!

Well-researched and performed, this one deserves an audience.

Svec wins the audience over and then some.

Well sung and engaging, this show is one to see!

Kaplan is an engaging actor, but does his solo piece really offer anything new? You decide.

I wanted to like this show, but it needs much more work if it's to have a future.

This Fringe show has definite potential.

There is a lot to like in this play and there are ample opportunities for future development. It's also noteworthy for two stellar performances by Jen Bevan and Tina Ghandchilar.

While the adaptation of the classic tale is not particularly inspiring, this show is one to see for the creative staging and design work as well as a talented group of actors led by the extraordinary Alex Mills.

'Love, NY' is worthy of an audience at this year's Capital Fringe Festival.

Sometimes you can't do it all in musical theatre. 'The Snuff Musical' is proof of that.

There are many shows to catch in this year's Fringe festival, but 'Arlington National Cemetery: My Forever Home' and 'Impossible To Translate, But I'll Try: True-Life Israeli Stories' are ones you should check out.

Second City comes back to DC and does what it does best!

If you need one reason to see this show it is Susan Marie Rhea's performance as grieving mother Becca. It's simply one of the best acting performances I've seen all season.

The production is definitely high-energy fun for the youngest of theatregoers.

At the end of the day, PETER PAN AND WENDY is a great family show with some solid acting and design work. It's another victory for Imagination Stage.

Even if there are some missteps, I give Landless Theatre Company applause for the ambition alone and daring to do something a bit different.