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Jeffrey Ellis - Page 144

Jeffrey Ellis

Jeffrey Ellis is a Nashville-based writer, editor and critic, who's been covering the performing arts in Tennessee for more than 35 years. In 1989, Ellis and his partner launched Dare, Tennessee's Lesbian and Gay Newsweekly which later became known as Query. Ellis is the recipient of the Tennessee Theatre Association's Distinguished Service Award for his coverage of theater in the Volunteer State and was the founding editor/publisher of Stages, the Tennessee Onstage Monthly.  He is a past fellow of the National Critics Institute at the Eugene O'Neill Theatre Center and is the founder/executive producer of The First Night Honors - the history of which can be traced to 1989 and the first presentation of The First Night Awards - which honor outstanding theater artisans from Tennessee in recognition of their lifetime achievements and also includes The First Night Star Awards and the Most Promising Actors recognition. Midwinter's First Night honors outstanding productions and performances throughout the state. An accomplished director, Ellis helmed productions of La Cage Aux Folles, The Last Night of Ballyhoo and An American Daughter, all in their Nashville premieres, as well as award-winning productions of Damn Yankees, Company, Gypsy and The Rocky Horror Show. Ellis was recognized by The Tennessean as best director of a musical for both Company and Rocky Horror. Since 2015, Ellis has been increasingly in demand as a director by a variety of Tennessee theater companies and he has helmed productions of Picnic (Circle Players), The Last Five Years (VWA Theatricals), The Miss Firecracker Contest, Cabaret, My Fair Lady, Daddy's Dyin'...Who's Got the Will?, South Pacific, Winter Wonderettes and The Wizard of Oz (The Larry Keeton Theatre), The Little Foxes (ACT 1), The Boys in the Band (Jeffey Ellis Presents), Singin' in the Rain (Arts Center of Cannon County) and The Secret Garden (Center for the Arts, Murfreesboro) and, in 2020, the 70th anniversary season production of La Cage Aux Folles for Circle Players. Later this year, he will be directing Beautiful: The Carole King Musical for Center for the Arts.

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EVITA, starring Patti LuPone

Favorite Stories



'Poe Unearthed' set for Halloween Performances at Roxy Theatre

October 21, 2009

Actor Jay Doolittle and three accomplices will bring to life favorites such as 'The Cask of Amantillado,' 'The Masque of the Red Death,' 'The Tell-Tale Heart' and 'The Raven,' allowing audiences to 'descend iinto the macabre madness of murderers, merry-makers and haunted souls described in grosteque

REVIEW: 'Noises Off' from Circle Players

October 17, 2009

The inspired lunacy of Michael Frayn's Noises Off is a good choice for any theatre company seeking to offer a glimpse into the wacky antics of life on the boards and Circle Players continues its 60th annual season with a largely successful production that features the aforementioned stellar performa

'Dividing the Estate' to open REPaloud play-reading series at Tennessee Rep

October 11, 2009

Bringing together the rich characters and wry humor of celebrated Texas playwright Horton Foote (The Trip to Bountiful, The Young Man from Atlanta), Dividing the Estate 'deftly combines the claustrophobia of the Southern families from Tennessee Williams, the physical and psychological dysfunctions o

REVIEW: 'My First Time' from Actors Bridge

October 9, 2009

Thanks to director Jessika Malone and her cast of talented actors, you'll find oh-so-much to identify with and relate to in Nashville's own version of My First Time, onstage at Darkhorse Theatre through this Saturday night.

Photo Coverage: Nashville Opera's 'Tosca'

October 7, 2009

Nashville Opera opens its 2009-2010 season with a sumptuous mounting of Puccini's classic Tosca, onstage at TPAC's Andrew Jackson Hall October 8 and 10.

REVIEW: Nashville Opera's Season-Opening 'Tosca'

October 7, 2009

From the first strains of the music, so beautifully played by members of the Nashville Symphony, under the baton of conductor Steven White (himself the artistic director of Opera Roanoke and a frequent collaborator with Nashville Opera artists) to the final, dramatic scene in which Tosca falls to he




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