Hannah Menchhoff - Page 2

The Merchant of Venice doesn't trade anything for a fantastic touring show.

A Fringe must see!

Ballast looks to both sides of a transition.

A show with a lot of potential needed more time.

THE NETHER is currently at Woolly Mammoth.

It is certainly isn't a bad sign when the two-year old in the front row gets up to dance with the music.

BAD JEWS makes you laugh until you cry and maybe even just cry.

For a play out of the ordinary for when it was written and now, look no further.

DARIUS & TWIG brings societal relevance to younger theater.

Explore a world of shadows in music in this world premiere.

Pregnancy is certainly a woman's issue. Add in fertility treatments and being of 'advanced maternal age' makes pregnancy an odyssey. NO SPRING CHICKEN premiers at NextStop Theater Company as part of the Women's Voices Theater Festival. The one woman show, directed by Sullivan Canaday White and written and starring Ginna Hoben, tells the autobiographical journey of her pregnancy at the age of 40.

When I see that a theater's season includes ROMEO AND JULIET, I often get nervous. As it is one of William Shakespeare's most recognizable plays, I feel like you need a very solid reason to perform it.

THE TYPOGRAPHER'S DREAM, although relatable for many audiences, leaves one unsatisfied.

Diogo Infante stars as a man lost in his life, while stuck inside his head.

Love, Loss, and What I Wore is real. Lorraine Magee beautifully directs the regional premier of this production for Next Stop Theatre Company. It tells the stories of women's lives through their clothes.

The actor in Walnut Street Theatre's A LIFE IN THE THEATRE discusses why acting is similar to other jobs but unlike most.

The American Century Theater fosters discussion on recent events in Ferguson, Cleveland, and New York City.

Washington Stage Guild's 'In Praise of Love' offers an engaging and comedic performance.