Gregor Dickson - Page 2

Based on the 1984 cult movie of the same name and following a successful run at London's Southwark Playhouse, the rock musical comes to the Edinburgh Fringe prior to returning to London for a limited run at the Arts Theatre in autumn 2017.

'It Shoulda Been You' opened on Broadway in 2015, with a cast including Tyne Daly, Sierra Boggess and Lisa Howard in a production directed by David Hyde Pierce. It receives one of its first UK presentations here from new Edinburgh company Room 29 Theatre, and it's an inspired choice for their Fringe premiere.

The typically implausible G&S style plot involves two companies going to extreme lengths to secure good reviews at the Edinburgh Fringe with rival productions. Many of the usual Gilbertian elements are included: an abandoned baby, a sense of duty, love across ranks and an implausible, contrived finale. All-new lyrics, set to Sullivan's music, are accompanied by the usual quota of silly dances.

Brexit the Musical isn't the only show in this year's Edinburgh Festival Fringe to be inspired by recent political goings-on, but it's likely to be the funniest.

Ordinary Days is a musical portrayal of four New Yorkers whose lives intersect as they search for fulfillment, happiness, love and cabs. When the ever-optimistic Warren finds Deb's most precious possession, the two unwittingly start a chain of events which not only change their lives, but also the lives of fellow New Yorkers Claire and Jason.

The stage adaptation of the iconic 1987 film embarks on a second UK tour, with a stand-out performance by Carlie Milner as Penny.

Jon Robyns, Cassie Compton and Ruth Madoc lead an impressive UK tour of the musical adaption of the 1998 hit romantic comedy film.

The stage adaptation of a second book from the Peter James detective thriller series DS Grace serves as a reminder that not all popular novels transfer seamlessly to the stage.

Jessica Swale's play about the unlikely heroine who went from lowly orange seller to national treasure features a stand-out titular performance by Laura Pitt-Pulford.

Edinburgh Music Theatre's return to the King's Theatre doesn't disappoint, with Bock's music and Harnick's lyrics portrayed clearly and passionately.

Alexandra Burke leads a strong ensemble in director Craig Revel Horwood's re-imagining of the hit West End and Broadway musical, which features a tuneful score by Alan Menken.

The Royal Conservatoire of Scotland's latest ambitious venture is a visually stunning production of Benny Andersson, Bjorn Ulvaeus and Tim Rice's hit 1980s pop musical.

The Edinburgh Gilbert & Sullivan Society's latest venture combines sparkling performances, modern references and excellent sound design in one of G&S's less well known comic operas.

Allan Stewart's latest variety show is a cornucopia of comedy, music and impressions, which once again cements his status as one of Britain's leading entertainers.

Edinburgh's Southern Light Opera Company rises to the challenge of staging Maury Yeston's award-winning musical, in an ambitious production with a cast of 90 and orchestra of 27.

The 2012 National Theatre adaptation of Mark Haddon's best-selling novel embarks on its second UK tour, and is compelling, thought-provoking and exceptionally well-performed.

The annual spectacular pantomime at the King's Theatre in Edinburgh has built a reputation for being one of the best in the country, and this year's production of Jack and the Beanstalk does not disappoint. From start to finish, it is a feast of laughter, music, colour and fun, and is sure to delight young and old alike.