Fiona Scott - Page 2

Six years after debuting at the PBH Free Fringe, We Must Do This More returns to the Edinburgh Fringe, this time playing at the Royal Scot’s Club. The show is an autobiographical piece that explores the highs and lows of female friendship over a year in the life of one Mhairi McColl.

You have the opportunity to see two shows written and directed by Padraig Bond, on alternating days by coming along to The Climate Fables. On this particular day, Debating Extinction, a retelling of Rapunzel through a dystopian climate lens, was the show in question.

What’s it really like to play the bagpipes? Should you ever meet your heroes? Thunderstruck is a dazzling one-man show where David Colvin retells the tale of a young piper from Fife, from when he picked up his first chanter to stumbling across, Gordon Duncan, a bin man from Pitlochry who was also a fellow piper, and pioneer in stretching the rules on what you could play on a set of bagpipes, who leaves an impact on the young piper forever.

How do you fix climate change? Ted Hill thinks he has the answers.

Geologise Theatre brings its environment-focussed musical to the Edinburgh Fringe. Written by Roberta Wilkinson and Matthew Kemp, the show is inspired by conversations with climate researchers and boasts a second-hand set, props and costumes, harmonised with hues of blues and yellows against a painted backdrop of a coastline.

The Edinburgh Fringe truly demonstrates that anything can be a musical. Whether it’s recent political events, or a modern cultural phenomenon, On Your Bike gives the humble delivery driver a moment in the spotlight. After winning a best musical award at the Edinburgh Fringe in 2021, the show returns to Edinburgh for another spin – pun intended.

Hailing from Australia, Elisa Riddington brings her solo show, Child of Sunday, to the Edinburgh Fringe as part of the Free Fringe programme. The backdrop of the show on entry is a cross-shaped stained glass window with light pouring through. 

Everyone has a part to play in the fight against the climate crisis, even comedians, Stuart Goldsmith argues. His lighthearted hour at the Monkey Barrel gently encourages the audience to consider the climate and their everyday actions.

It’s hard to believe there are any origin stories that haven’t been explored yet at this stage given the success of previous shows such as Unfortunate at multiple Fringe venues, but there is still one, tiny tale to be told: that of a certain fairy from JM Barrie’s Peter Pan and how she ended up so small. 

Big Fish is one of two shows presented by students from the Royal Conservatoire of Scotland. The musical is an adaptation of the 1998 Daniel Wallace novel and 2003 Tim Burton film of the same name. The screenwriter John August then worked with composer-lyricist Andrew Lippa to adapt the piece for the stage in 2012, with this version directed by Tom Cooper.

After nearly 30,000 performances at the St Martins Theatre, Agatha Christie’s play, The Mousetrap is also playing to theatres around the UK as part of a 70th anniversary tour. This week, the classic whodunnit comes to the Glasgow King’s Theatre.

What did our critic think of A MOTHER'S SONG at Macrobert Arts Centre?

What did our critic think of PETER PAN AND WENDY at Pitlochry Festival Theatre?

What did our critic think of SISTER ACT at King's Theatre, Glasgow?

Way, way back, what back feels like, many centuries ago, an all-singing, all-dancing revival of Tim Rice and Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat, directed by Laurence Connor, opened at the London Palladium in the summer of 2019.

What did our critic think of DREAMGIRLS at King's Theatre, Glasgow?

What did our critic think of STOP THE WORLD, WE'RE GETTING OFF at theSpace?

What did our critic think of HIYA DOLLY! at TheSpace @ Surgeon's Hall?

What did our critic think of THE MOULD THAT CHANGED THE WORLD at Websters Theatre?

What did our critic think of MORE THAN TRACY TURNBLAD at TheSpace?