BWW Review: ROBERT PLANT, Royal Albert Hall
In January 1970, Led Zeppelin played the Royal Albert Hall, widely lauded as one of their most famous gigs.
Debbie Gilpin - Page 10
BWW Review: THE BOX OF DELIGHTS, Wilton's Music Hall
Victorian music hall Wilton's takes a trip back to the 1930s this Christmas, as it brings a new version of John Masefield's fantasy story The Box of Delights to the stage.
BWW Review: MIRACLE ON 34TH STREET, Bridge House Theatre
As usual, come the festive season, there is a plethora of shows on offer to begin the merriment - and if a pantomime or version of A Christmas Carol isn't for you, there is still plenty of choice.
BWW Review: FIVER, Live At Z del
The latest production from New.
BWW Review: THE SECRET THEATRE, Sam Wanamaker Playhouse
Terrorist plots, underfunded government departments, unjustifiable military action - all very modern worries, I'm sure you'll agree.
BWW Review: HARD RAIN: BARB JUNGR SINGS DYLAN AND COHEN, Live At Z del
Celebrated performer Barb Jungr put this collection of songs together a couple of years ago (alongside long-time collaborator and pianist, Simon Wallace) and has been taking the songs across the UK and the US, amongst other places, as well as appearing on the bill of the Art of Protest cabaret at th
BWW Review: THE DYSFUNCTIONAL GUIDE TO BEING A THIRD WHEEL, Live At Z del
This is the first in a series of original musicals that will be brought to Live at Z del thanks to New.
BWW Review: ROMANTICS ANONYMOUS, Sam Wanamaker Playhouse
What do you get if you take a French film, a liberal portion of chocolate and a sprinkling of Emma Rice magic? The opening winter season production, Romantics Anonymous! This brand new musical, based on Les Emotifs Anonymes, plays for a limited time across the festive season and is Rice's final new
BWW Review: DR. SEUSS'S THE LORAX, Old Vic
After a successful run in 2015/16, leading to an Olivier Award nomination, David Greig's stage adaptation of the Dr.
BWW Review: WITNESS FOR THE PROSECUTION, London County Hall
With her most famous play, The Mousetrap, celebrating its 65th anniversary in London's West End, it only seems right for another of Agatha Christie's stage works to be brought back for a limited run.
BWW Review: VENUS IN FUR, Theatre Royal Haymarket
David Ives's two-hander was first performed seven years ago Off-Broadway, before heading to Broadway and subsequently running in theatres around the world and being adapted to film by Polanski.
BWW Review: METROPOLIS, Ye Olde Rose And Crown Theatre
First performed in London in 1989 at the Piccadilly Theatre (with stars including the inimitable Brian Blessed), the musical version of Metropolis (by Joe Brooks and Dusty Hughes) has been revived for a short Off West End run at Ye Olde Rose and Crown in Walthamstow.
BWW Review: RAIN: 50 YEARS OF SGT. PEPPERS, London Palladium
Fifty years ago, The Beatles changed the face of pop music when they released the iconic Sgt Pepper's Lonely Hearts Club Band album.
BWW Review: WHAT SHADOWS, Park Theatre
Transferring to London after debuting (rather appropriately) in Birmingham last year, Chris Hannan's play is based around Enoch Powell's 1968 'Rivers of blood' speech.
BWW Review: CASINO ROYALE IN CONCERT, Royal Albert Hall
This weekend, for the first time, a James Bond score was performed in its entirety, as the Royal Philharmonic Concert Orchestra accompanied a screening of the 2006 film Casino Royale.
BWW Review: INK, Duke Of York's Theatre
Read all about it! Following a wildly successful run at the Almeida in the summer, James Graham's first of three new plays for 2017 has transferred to London's West End for a limited run at the Duke of York's Theatre.
BWW Review: BOUDICA, Shakespeare's Globe
The final production in this year's Summer of Love season is a brand new piece from Tristan Bernays, telling the story of the famous warrior queen.
BWW Review: HAMLET, Park Theatre
With Robert Icke's Andrew Scott-led Hamlet successfully transferring to the West End from the Almeida, and Tom Hiddleston about to get in on the action for Kenneth Branagh at RADA, it is potentially a very risky moment to stage a rather unique and stripped back version of the same Shakespeare play.
BWW Review: KING LEAR, Shakespeare's Globe
Nancy Meckler makes her Globe debut with the penultimate show of the season, a well-known tragedy to contrast with recent comedies: King Lear.
BWW Review: CAT ON A HOT TIN ROOF, Apollo Theatre
Continuing the resurgence of Tennessee Williams plays is the Young Vic's Cat on a Hot Tin Roof.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $60
Tickets From $95
Tickets From $95