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David Clarke - Page 11

David Clarke

David Clarke is a seasoned communications professional and prolific writer with over a decade of experience contributing to esteemed outlets such as OutSmart Magazine, NewNowNext.com, Out.com, the Houston Press, among others. He has also penned features for Houston Ballet, New York City Ballet, and Lincoln Center’s issues of Playbill. From reviewing theatre productions to crafting incisive cultural commentary, David blends expertise and passion to champion stories that engage and inspire.




LEARN MORE ABOUT David Clarke

First Show:

Disney’s Beauty and the Beast (Theatre Under the Stars) – World Premiere

Favorite Show:

Fun Home



BWW Album Review: BEETLEJUICE (Original Broadway Cast Recording) is a Rib-Tickling Treat
BWW Album Review: BEETLEJUICE (Original Broadway Cast Recording) is a Rib-Tickling Treat
June 19, 2019

BEETLEJUICE is a giddily irreverent musical that has left audiences laughing themselves to death since it began its out-of-town tryouts in Washington, D.C. Currently playing Broadway's Winter Garden Theatre, this rib-tickling treat has recently released BEETLEJUICE (Original Broadway Cast Recording) through Ghostlight Records and Warner Records. The album captures the heart and humor of the production, sharing the giggles and laughs with a worldwide audience.

BWW Interview: Joe Chisholm Talks SAFEWORD
BWW Interview: Joe Chisholm Talks SAFEWORD
June 5, 2019

Exploring the depths of modern relationships is something that S. Asher Gelman is keen on doing in his works. On the heels of Off-Broadway's smash hit AFTERGLOW, which offered a view into the world of open relationships, the playwright's latest work - SAFEWORD - explores concepts of trust in relationships through the lens of BDSM. To get the inside scoop on the play, we sat down with Joe Chisholm.

BWW Album Review: Michelle Vezilj's 'Fire Goes to Die' is an Empowering Anthem
BWW Album Review: Michelle Vezilj's 'Fire Goes to Die' is an Empowering Anthem
May 17, 2019

Michelle Vezilj is making a profound and timely statement with her latest single, 'Fire Goes to Die.' Inspired by the #MeToo movement and being a victim of sexual assault herself, Vezilj's empowering anthem touches on those pressing topics. Yet, in the same week as the governor of Alabama signed our nation's most restrictive anti-abortion bill into law, this tune's broader themes about emboldening oneself to take control of one's body couldn't feel more timely.

BWW Album Review: BE MORE CHILL (Original Broadway Cast Recording) Does Not Always Compute
BWW Album Review: BE MORE CHILL (Original Broadway Cast Recording) Does Not Always Compute
May 9, 2019

With a slightly different cast and some changes to the music, it is no surprise that BE MORE CHILL's Broadway production was recorded for Ghostlight Records BE MORE CHILL (Original Broadway Cast Recording). The album is full of energy and teeters on the verge of frenetic, masterfully capturing the best and worst aspects of the upgraded Broadway production.

BWW Album Review: WE ARE THE TIGERS (Original Off-Broadway Cast Recording) Bops with Beats and Bite
BWW Album Review: WE ARE THE TIGERS (Original Off-Broadway Cast Recording) Bops with Beats and Bite
April 28, 2019

Preston Max Allen's WE ARE THE TIGERS Off-Broadway run had music and lyrics that were fully realized and demanded to be recorded. Broadway Records answered that call and released WE ARE THE TIGERS (Original Off-Broadway Cast Recording), preserving the show's infectious, toe-tap inducing pop score. And, freed from the book scenes, this music comes across as more poignant and thought-provoking than it did in the context of the show.

BWW Album Review: Ben Platt's SING TO ME INSTEAD Radiates Pure Joy
BWW Album Review: Ben Platt's SING TO ME INSTEAD Radiates Pure Joy
April 12, 2019

Ben Platt's SING TO ME INSTEAD is ready to be the pop album you leave on repeat all spring long, and deservedly so. His soaring vocals, especially those grandiose belts, sans the affectations of Evan Hansen dazzle across the record, making each of the tunes - whether an up-tempo bop or a soulful ballad - command the attention of the listener. Truthfully, SING TO ME INSTEAD is pure joy, making repeat listens more than welcomed; they are essential.

BWW Album Review: TINA – THE TINA TURNER MUSICAL (Original London Cast Recording) Lets Adrienne Warren Shine
BWW Album Review: TINA – THE TINA TURNER MUSICAL (Original London Cast Recording) Lets Adrienne Warren Shine
April 1, 2019

The London production of TINA - THE TINA TURNER MUSICAL Is slated to transfer to Broadway this fall, but Ghostlight Records is offering audiences a sneak peek into the critically well-received show through their release of TINA - THE TINA TURNER MUSICAL (Original London Cast Recording). It cements Adrienne Warren's star and builds anticipation for her portrayal of Tina Turner on Broadway.

BWW Album Review: CRUEL INTENTIONS: THE '90S MUSICAL (Original Cast Album) Rests On Nostalgia
BWW Album Review: CRUEL INTENTIONS: THE '90S MUSICAL (Original Cast Album) Rests On Nostalgia
March 11, 2019

ABKCO's CRUEL INTENTIONS: THE '90S MUSICAL (Original Cast Album) is undoubtedly Kidz Bop for adults. And there's nothing wrong with that (in this case). The album features "Every You, Every Me," "Colorblind," and "Bittersweet Symphony" from the original motion picture soundtrack, and the remaining 15 tracks are comprised of instantly recognizable standards of the era.

BWW Album Review: MYTHIC (Original London Cast Recording) Delivers Bland Pop Schmaltz
BWW Album Review: MYTHIC (Original London Cast Recording) Delivers Bland Pop Schmaltz
March 8, 2019

Musicals inspired by the Greek myths are a dime a dozen, and Marcus Stevens' and Oran Eldor's MYTHIC is just another entry in that overpopulated canon. Despite the overzealous ebullience and mirth laced into every track on MYTHIC (Original London Cast Recording), the recording offers nothing more than bland pop schmaltz.

BWW Review: WE ARE THE TIGERS Fumbles But Is Still F-U-N
BWW Review: WE ARE THE TIGERS Fumbles But Is Still F-U-N
February 21, 2019

A real curious thing is happening at Theater 80 St Marks. And, oddly, it may be the off-beat, quirky must-see Off-Broadway event of the winter. Not because the show is amazing, nor because it is so terrible that it has to be seen to be believed. Truthfully, Preston Max Allen's WE ARE THE TIGERS makes you forgive its missteps by being infectiously plucky and actually fun.

BWW Album Review: UNBREAKABLE (Original Cast Recording) is Stirring and Evocative
BWW Album Review: UNBREAKABLE (Original Cast Recording) is Stirring and Evocative
February 9, 2019

Broadway composer Andrew Lippa has written a poignant song cycle with UNBREAKABLE, which was premiered by The San Francisco's Gay Men's Chorus at Nourse Theater in San Francisco, CA on June 22-23, 2018. This week Ghostlight Records released UNBREAKABLE (Original Cast Recording), allowing listeners a chance to go inside the Nourse Theater to experience the powerfully moving cycle live and for themselves.

BWW Album Review: RENT (Original Soundtrack of the Fox Live Television Event) Stumbles and Mostly Falls Flat
BWW Album Review: RENT (Original Soundtrack of the Fox Live Television Event) Stumbles and Mostly Falls Flat
February 2, 2019

When it comes to RENT being on broadcast television, it was always going to be a dicey experience. Diehard fans were sure to be disappointed by lines altered to be in compliance with the FCC. Then, casting a handful of pop performers over trained actors was sure to lead to questionable character choices throughout the evening. Sony Masterworks Broadway's RENT (Original Soundtrack of the Fox Live Television Event) drives these points home with all the subtly of a sledgehammer bludgeoning a nail.

BWW Album Review: SONGS FOR A NEW WORLD (New York City Center 2018 Encores! Off-Center Cast Recording) is Glorious
BWW Album Review: SONGS FOR A NEW WORLD (New York City Center 2018 Encores! Off-Center Cast Recording) is Glorious
January 25, 2019

Jason Robert Brown's beloved and thrilling song cycle SONGS FOR A NEW WORLD was recently produced. Starring Shoshana Bean, Colin Donnell, Mykal Kilgore, and Solea Pfeiffer, there is no denying this presentation was a true event. Luckily for all, this cast - in all of its glory - was captured and preserved by Ghostlight Records on SONGS FOR A NEW WORLD (New York City Center 2018 Encores! Off-Center Cast Recording).

BWW Album Review: Brian Gallagher's BROWNSTONE is a Moody, Bluesy Murderous Musical
BWW Album Review: Brian Gallagher's BROWNSTONE is a Moody, Bluesy Murderous Musical
January 23, 2019

Broadway veteran Brian Gallagher recently released the concept album for his new musical BROWNSTONE. The thrilling record is mostly sung by Gallagher himself, but it also features the vocals of Broadway star Megan Hilty. Utilizing his well-honed ability to write jazzy, ambient rock with a 70s garage band vibe, Gallagher has skillfully created, for BROWNSTONE, a moody and haunting piece of musical theatre that excites as easily as it sends shivers down the spine.

BWW Album Review: FOLLIES (2018 National Theatre Cast Recording) Touches the Sublime
BWW Album Review: FOLLIES (2018 National Theatre Cast Recording) Touches the Sublime
January 19, 2019

Once one of the costliest flops in Broadway history, FOLLIES is now highly regarded as a true classic in musical theater canon. The well-reviewed National Theatre revival, which ran through January 3, 2018, is scheduled to return to the West End this spring, and the sumptuously lush FOLLIES (2018 National Theatre Cast Recording) is now available digitally.

BWW Album Review: THE PROM is the Perfect Blend of Glitter, Confetti, and Heart
BWW Album Review: THE PROM is the Perfect Blend of Glitter, Confetti, and Heart
December 21, 2018

With moxie, sequins, and indefatigable whimsy, Sony Masterworks Broadway's THE PROM (Original Broadway Cast Recording) perfectly captures the mirth of the heartwarming Broadway production. Masterfully blending Matthew Sklar's toe-tapping score, Chad Beguelin's rib-tickling and heartfelt lyrics, and the stellar performances of the cast, this album is as charming as it is mesmerizing.

BWW Album Review: SCHOOL OF ROCK [Deluxe Edition] Rocks With Whimsy and Wit
BWW Album Review: SCHOOL OF ROCK [Deluxe Edition] Rocks With Whimsy and Wit
December 18, 2018

In celebration of its third year on Broadway, Warner Bros. Records released SCHOOL OF ROCK (Original Broadway Cast Recording) [Deluxe Edition]. This "Deluxe Edition" comes across more as a hackneyed marketing ploy since the only differences are changing the cover art to the current logo design and adding "School of Rock: The Musical (Medley).'

BWW Album Review: The SPRINGSTEEN ON BROADWAY Album Is Like An Audio Book Recorded Live
BWW Album Review: The SPRINGSTEEN ON BROADWAY Album Is Like An Audio Book Recorded Live
December 16, 2018

The justification for a rock star to desire or even need the glitz and glamor of being on Broadway simply doesn't translate to an audio only experience. And, the final product feels like an audio book recorded live.

BWW Interview: Ken Arpino Talks RUBEN & CLAY'S FIRST ANNUAL CHRISTMAS CAROL FAMILY FUN PAGEANT SPECTACULAR REUNION SHOW
BWW Interview: Ken Arpino Talks RUBEN & CLAY'S FIRST ANNUAL CHRISTMAS CAROL FAMILY FUN PAGEANT SPECTACULAR REUNION SHOW
December 13, 2018

Ruben Studdard and Clay Aiken have reunited this Christmas season for a holiday themed Broadway show. Inspired by the sketch shows starring the likes of Dean Martin, Andy Williams, and Carol Burnett, this duo plans to amuse and delight with vocal performances and light-hearted comedy skits. To get the inside scoop on this show, we sat down with writer and performer Ken Arpino to chat about this first annual holiday spectacular.

BWW Album Review: Lena Hall's OBSESSED: CHRIS CORNELL is Vivid and Stirring
BWW Album Review: Lena Hall's OBSESSED: CHRIS CORNELL is Vivid and Stirring
December 10, 2018

Lena Hall's ambitious and successful year long EP project - Lena Hall OBSESSED - comes to end this month with her lovely tribute to Chris Cornell, the iconic front man of Soundgarden and Audioslave. The four-track OBSESSED: CHRIS CORNELL stands as a vivid and stirring conclusion to the series, offering listeners the entrancing angst of the grunge era and a delightful reprieve from effusively ebullient holiday music.



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