Brent is an aspiring playwright originally from Baltimore County, though a recent job transplanted me to Los Angeles to work as a sales representative for a chemical company. Prior to that he taught high school English, and is currently working as an editor for an educational content developer in Baltimore.
ADAPTING CINDERELLA ... But Why?
March 12, 2012
March 12, 2012
In Glass Mind Theatre's ensemble-generated ADAPTING CINDERELLA, the magic of the story proves elusive.
BWW Reviews: Exaggerated COASTAL DISTURBANCES
February 21, 2012
February 21, 2012
At Fells Point Corner Theatre, Tina Howe's 1987 play, COASTAL DISTURBANCES, lacks nuance.
BWW Reviews: Hurston GLEAMS in Baltimore
January 12, 2012
January 12, 2012
Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.
Half MOON
December 5, 2011
December 5, 2011
Glass Mind Theater presents a solid production of Sarah Ford Gorman's still-gestating play, AND UNDERNEATH THE MOON.
An Enjoyable Time ON THIS ISLAND
October 24, 2011
October 24, 2011
The Red Branch Theatre Company concludes its season with a production of ONCE ON THIS ISLAND, a tuneful re-imagining of 'The Little Mermaid.'
A Moving OUR TOWN
October 10, 2011
October 10, 2011
The Chesapeake Shakespeare Company brings OUR TOWN to life in the ruins above Ellicott City.
BWW Reviews: The Theatre of CHURCH
October 5, 2011
October 5, 2011
Single Carrot Theatre opens its fifth season with Young Jean Lee's thought-provoking call to worship, CHURCH.
An Entertaining DEN OF THIEVES
September 18, 2011
September 18, 2011
Baltimore's Glass Mind Theatre opens its second season with an enjoyable production of Stephen Adly Guirgis' intriguing play.
Free Love, or Aphra, Charles, and Nell
September 8, 2011
September 8, 2011
Rep Stage opens its 19th season with a production of Liz Duffy Adams' Restoration-style comedy, 'Or,', an unexpectedly moving play masquerading as farce.
Asking the Hard Questions
August 15, 2011
August 15, 2011
The latest entry in the Baltimore Playwrights Festival, Nancy Murray's ASKING QUESTIONS, overcomes some curious choices to deliver an engaging evening of theatre.
A Triumph of a Shakespearean Travesty
July 4, 2011
July 4, 2011
The Chesapeake Shakespeare Company continues its season with a hilarious production of THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED).
LOVE AND HUMAN REMAINS in Baltimore
June 5, 2011
June 5, 2011
Iron Crow Theatre Company concludes its first season with a gripping localization of Brad Fraser's LOVE AND HUMAN REMAINS.
MIXTAPE in a Minor Key
May 15, 2011
May 15, 2011
Glass Mind Theatre's annual short play festival features six new plays by local writers inspired by songs.
A Rule-Breaking SPEECH & DEBATE
April 18, 2011
April 18, 2011
Rep Stage presents a terrific production of Stephen Karam's off-Broadway play.
INTO THE WOODS Worth the Journey
March 27, 2011
March 27, 2011
Columbia's Red Branch Theatre Company presents a fine production of James Lapine and Stephen Sondheim's much-loved musical.
The Transience of Beauty at CHRISTMAS
March 21, 2011
March 21, 2011
Three seasons after staging THE BALTIMORE WALTZ, Single Carrot Theatre returns to the memory-world of Paula Vogel in a haunting production of THE LONG CHRISTMAS DINNER.
Zombies in My NEIGHBORHOOD
March 14, 2011
March 14, 2011
Glass Mind Theatre's production of NEIGHBORHOOD 3: REQUISITION OF DOOM, though marred by inconsistencies, is more evidence that Glass Mind is exceptionally committed to theatre-building in Baltimore.
A Rare Miss for the CSC
February 28, 2011
February 28, 2011
In Shakespeare's late romance, CYMBELINE, playing through March 19 at Oliver's Carriage House in Columbia, the familiar becomes the strange.
You Can Depend on STREETCAR at Spots
January 10, 2011
January 10, 2011
The Audrey Herman Spotlighters Theatre presents a fine production of the Tennessee Williams classic.
A Breath of Fresh Air for the Holidays
December 6, 2010
December 6, 2010
Local playwright Kate Bishop's A PEPPERMINT PATTY CHRISTMAS turns holiday traditions inside out.
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