BWW Reviews: The Mystery of MARY ROSE
Rep Stage continues its 20th Anniversary season with a compelling production of J.
Brent Englar
BWW Reviews: Exploiting A BEHANDING
Martin McDonagh's A BEHANDING IN SPOKANE offers cheap laughs and little else.
BWW Reviews: Theatrical Mining Company's PASSPORT to Redemption
The 2012 Baltimore Playwrights Festival and Theatrical Mining Company present a new play by Kevin Kostic, set during the post-election riots of Kenya in 2007.
WELL Done
Rain Pryor, the new artistic director at Baltimore's Strand Theater, directs a moving production of Lisa Kron's WELL.
BWW Reviews: Minding 'THE GAP' at Glass Mind Theatre
Glass Mind Theatre's third-annual short-play festival pairs playwrights with play settings submitted by audience members.
Summer Stages: BWW's Top Summer Theatre Picks - Baltimore Take 2!
Baltimore is brewing some great summer theatre with productions Bent, Come Out and Say It, Following Sarah and Passport, the last two selections from the Baltimore Playwrights Festival.
A Potent WHIPPING MAN
Kwame Kwei-Armah directs his first play since becoming Center Stage's artistic director, an excellent production of Matthew Lopez's THE WHIPPING MAN.
Glorious HOTEL
Single Carrot Theatre presents a spectacularly inventive interpretation of Charles Mee's HOTEL CASSIOPEIA.
Blood-bound and Tongue-tied to Greek Mythology
In Jacqueline E.
Discomfitting TRANSFORMATION
Fells Point Corner Theatre produces an excellent production of Annie Baker's compelling play, CIRCLE MIRROR TRANSFORMATION.
ADAPTING CINDERELLA ... But Why?
In Glass Mind Theatre's ensemble-generated ADAPTING CINDERELLA, the magic of the story proves elusive.
BWW Reviews: Exaggerated COASTAL DISTURBANCES
At Fells Point Corner Theatre, Tina Howe's 1987 play, COASTAL DISTURBANCES, lacks nuance.
BWW Reviews: Hurston GLEAMS in Baltimore
Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.
Half MOON
Glass Mind Theater presents a solid production of Sarah Ford Gorman's still-gestating play, AND UNDERNEATH THE MOON.
An Enjoyable Time ON THIS ISLAND
The Red Branch Theatre Company concludes its season with a production of ONCE ON THIS ISLAND, a tuneful re-imagining of 'The Little Mermaid.
A Moving OUR TOWN
The Chesapeake Shakespeare Company brings OUR TOWN to life in the ruins above Ellicott City.
BWW Reviews: The Theatre of CHURCH
Single Carrot Theatre opens its fifth season with Young Jean Lee's thought-provoking call to worship, CHURCH.
An Entertaining DEN OF THIEVES
Baltimore's Glass Mind Theatre opens its second season with an enjoyable production of Stephen Adly Guirgis' intriguing play.
Free Love, or Aphra, Charles, and Nell
Rep Stage opens its 19th season with a production of Liz Duffy Adams' Restoration-style comedy, 'Or,', an unexpectedly moving play masquerading as farce.
Asking the Hard Questions
The latest entry in the Baltimore Playwrights Festival, Nancy Murray's ASKING QUESTIONS, overcomes some curious choices to deliver an engaging evening of theatre.
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