Amelia Divine

There’s no escaping the kitchen in Hungry, now playing at Sound Theatre Company. Not just because the set keeps the kitchen table at center stage, no matter where in time we’re dropped. But because food, and everything it represents; culture, class, control, comfort is the simmering heart of this gripping two-hander. And with two extraordinary performances from Simone Alene and Jayne Hubbard, that heat doesn’t just stay on. It boils over.

Golden, written by Andrew Lee Creech and now playing at ACT Theater,, is a rich, character-driven drama that delivers clean, linear storytelling about what it means to live with dignity when the world feels like it’s falling apart.

DADS doesn’t so much invite you in as dare you to stick around long enough to figure it out. Now playing at 12th Ave Arts, this messy, physical, and defiantly queer performance — created and performed by the Drama Tops duo Elby Brosch and Shane Donohue — explores grief through endurance, irony, and chaos. But for much of its 90-minute runtime, you’re left wondering what, exactly, you’re watching, and why.

At its best, a one-person show invites you into the mind and heart of its creator, allowing you to walk a little in their shoes—whether through literal storytelling, experimental performance, or (ideally) a bit of both. In The Things Around Us, now playing at Intiman Theater, Ahamefule J. Oluo lets you walk in their bright red socks, giving us an ephemeral portrait of their life through music and storytelling.

Oliver! has always been a tale of survival, of the brutal systems that devour the vulnerable, and of the strange and tender communities that spring up in their margins. With Lionel Bart's reframing of Oliver!, now on stage at Theatre Off Jackson, Reboot Theatre Company takes a sharp left turn into 1970s London—a city battered by austerity, riots, and the pounding heartbeat of the punk movement. This isn’t your grandma’s Oliver!.

Time Stands Still (by Thalia’s Umbrella), draws you into a carefully crafted, intimate world where the line between audience and observer feels blurred. With a thoughtfully detailed set and a standout performance from its lead actress, this production demonstrates the impact of small-scale storytelling with deep emotional resonance.

CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion. Now performing at Intiman Theater, this is a 55-minute concept piece that seems to revel in its own disarray. In true avant‐garde fashion, the play introduces us to four enigmatic characters–A (Lathrop Walker), B (Christopher Morson), C (Marya Sea Kaminski), and M (Alexandra Tavares)–whose disjointed, abstract musings recall the erratic pulse of late 90s beat poetry. Their relationships remain a mystery, their interactions sparse, each figure channeling a distinct, seething rage that resonates deeply with our current socio-political climate.

The legacy of Hamilton needs no rehashing – record sales, Tony wins and nominations, career launches, and undeniable songs. But is that legacy still preserved in the productions that continue to bear its name, or does any further attempt at putting on an official Hamilton show pale in comparison to the legendary original? Fortunately, the production of Hamilton performing at the Paramount Theater lives up to all the hype!

For two men who built grand worlds of myth and magic, LEWIS AND TOLKIEN is a strikingly intimate and deeply human story—not of great battles or epic journeys, but of friendship, regret, and the quiet ache of unspoken words. Now playing at the Taproot Theater, this play, adapted from Colin Duriez’s novel Tolkien and C.S. Lewis: The Gift of Friendship, is not a play about C.S. Lewis and J.R.R. Tolkien as authors, but as friends—friends who have hurt each other, who feel unseen, and who struggle, in the way that sometimes men do, to be truly vulnerable with one another.

What did BroadwayWorld's critic think of Dial M for Murder at The Village Theater? Read the review here and learn more about The Village Theater's production.

Seattle Public Theater’s Where is Here? takes audiences to an unexpected setting—a bleak airport baggage claim—only to eventually veer into the surreal. With performances in English and Persian, this one-woman show written and directed by Naghmeh Samini blends observational comedy, existential musings, and theatrical experimentation.