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Making his name not only as a true genius of Italian opera, but also as an inventive author of finest recipes, Gioacchino Rossini has predicted the glorious future for his Il barbiere di Siviglia whose premiere was met with scandalous disapproval. To all appearances he was right! Its second performance in 1816 marked the beginning of the triumphant march of Il barbiere di Siviglia on the world´s major and minor opera stages. It received its first Lithuanian production in 1924 to be followed by numerous subsequent productions in Kaunas, Vilnius and Klaipeda. During the WWII and in postwar years it was produced by the short-lived Vilnius Opera company (1941-4) in 1944 and by the emigrant members of our theatre in Detmold in 1947.
Playful, tuneful, brimming with intriguing situations and chipper wit, Rossini´s opera is a perfect spectacle for all comers.
ACT I. Seville, 1800s. At night, Count Almaviva brings a band of musicians to serenade Rosina, ward of Dr. Bartolo, who keeps the girl confined in his house. When Rosina fails to answer his song, the count pays the players, and they leave. At the sound of Figaro´s voice, Almaviva steps away as the barber bounds in, boasting of his busy life as the neighborhood factotum. Figaro, though currently in Bartolo´s employ, encounters Almaviva and promises to help him win Rosina - for a suitable reward. No sooner has Bartolo left the house to arrange his own marriage with Rosina than Almaviva launches into a second serenade, calling himself ´Lindoro,´ a poor creature who can offer only love. Figaro suggests Almaviva disguise himself as a drunken soldier billeted to Bartolo´s house.
Alone in the house, Rosina muses on the voice that has touched her heart and resolves to outwit Bartolo. Figaro joins her, but they leave on hearing footsteps. Bartolo enters with the music master, Don Basilio, who tells him Almaviva is a rival for Rosina´s hand and advises slandering the nobleman´s reputation. Bartolo agrees, but Figaro overhears them. Warning Rosina that Bartolo plans to marry her himself the very next day, the barber promises to deliver a note she has written to ´Lindoro.´ Rosina, alone with Bartolo, undergoes an interrogation, then listens to his boast that he is far too clever to be tricked. Berta, the housekeeper, answers violent knocking at the door, returning with Almaviva disguised as a drunken soldier in search of lodging. While arguing with Bartolo, Almaviva manages to slip a love letter to Rosina. But when Bartolo demands to see the letter, the girl substitutes a laundry list. Figaro dashes in to warn that their hubbub has attracted a crowd. Police arrive to silence the disturbance. As an officer is about to arrest him, Almaviva whispers his identity and is released. Rosina, Berta, Bartolo and Basilio are stupefied by everything that is happening.
ACT II. Bartolo receives a young music teacher, ´Don Alonso´ (again Almaviva in disguise), who claims to be a substitute for the ailing Basilio. Rosina enters, recognizes her suitor and begins her singing lesson as Bartolo dozes in his chair. Figaro arrives to shave the doctor and manages to steal the key to the balcony window. Basilio now comes in, looking the picture of health; bribed by Almaviva, he feigns illness and departs. Figaro shaves Bartolo while Almaviva and Rosina plan their elopement that night. They are overheard by the doctor, who drives Figaro and Almaviva from the house and Rosina to her room, then sends again for Basilio. Berta, unnerved by all the confusion, complains she is going mad. Bartolo dispatches Basilio for a notary, then tricks Rosina into believing ´Lindoro´ is really a flunky of Almaviva. After a thunderstorm, Almaviva arrives with Figaro and climbs through a balcony window to abduct Rosina. At first the girl rebuffs ´Lindoro,´ but when he explains that he and Almaviva are one and the same, she falls into his arms. Figaro urges haste, but before they can leave, their ladder is taken away. Basilio enters with the notary. Though summoned to wed Rosina and Bartolo, the official marries her instead to Almaviva, who bribes Basilio. Rushing in too late, Bartolo finds the lovers already wed. When Almaviva allows him to keep Rosina´s dowry, the old man accepts the situation.
Cast and Creative team for WIENER STAATSOPER at WIENER STAATSOPER
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