BWW Reviews: Extraordinary Performances Save ORDINARY DAYS
A word of caution to writers everywhere.
The latest reviews and critic recommendations from Austin.
A word of caution to writers everywhere.
I remember seeing the world phenomenon that is Cats back in the late 90s, and my response then could be summed up in four words: 'I didn't get it.
There are two types of people in Austin: those who have seen a Trouble Puppet show, and those who have not yet seen a Trouble Puppet show.
Honesty may be the best policy, but it's not the most fun one.
Whether at their best or worst, Erica and Ben are always honest and authentic, and that honesty and authenticity is what The Boys Next Door revolves around.
Upon entering Hyde Park Theatre for a chick and a dude's current production of The Whale, you get several clues about the central character of Charlie.
Earlier this season, I did something slightly unorthodox when I attended and reviewed Bonnie and Clyde at McCallum Fine Arts Academy.
I had a very interesting experience in a theater the other night.
When Austin Shakespeare announced that their 2013-2014 season would feature a production of Othello, my immediate response was "Why?" After all, Austin's City Theatre produced the show just last season, and it was, as I mentioned in my review, "the highlight of the City Theatre's season.
As part of a Jewish family, I have had to sit through my share of Passover Seders, some of which are more bizarre and uncomfortable than others.
Wicked certainly has an interesting reputation among theatergoers.
It's entirely appropriate that the first syllable of Audra McDonald's name is pronounced "awe.
It's astounding and a little sad that of all the things that have fallen out of style since the 1600s, hypocrisy isn't one of them.
It's rare for two plays by the same playwright to run simultaneously in Austin.
I'm a sucker for plays that are so multifaceted that I feel I can't do them justice in a review.
In 1996, several up and coming performers made their Broadway debuts in a show that would make musical theater history.
There's a rather funny thing about relationships, whether they be friendships or romantic.
If you decide to see Gidion's Knot, and you should, take this word of caution.
My apologies to Verdi and Mozart.
There's no doubt that People Will Talk About You Sometimes has good intentions, something I applaud and have no intention to criticize.
It's about time that the music of David Bowie gets a stage treatment, and it's no wonder that the inventive Andrea Ariel Dance Theatre clearly sees the potential to create a unique theatrical experience through Bowie's work.
There's something about The Sniper's Next, a theatrical reinterpretation of Me & Lee, that is compelling and engaging despite the major implausibilities.
Any theatergoer knows that new works tend to be hit or miss.
To all at The Hidden Room, I hope you know that you've accomplished the impossible.
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Boeing Boeing TexARTS: Theatre & Academy (9/18-10/04) |
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Oklahoma! Georgetown Palace Theatre-Springer Stage (10/02-11/01) |
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Clue Penfold Theatre Company (9/11-10/11) |
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Patricia Vonne’s “My Heart’s Got A Mind of Its Own” official album release show The Continental Club (9/25-9/25) |
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9 to 5 BASTROP OPERA HOUSE (9/10-10/03) |
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A Wonderful Life Georgetown Palace Theatre (11/27-12/30) |
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The Unknown Tour Julie Rogers Theatre (11/07-11/07) |
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42nd Street Georgetown Palace Theatre (7/24-8/30) |
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Averly Morillo McAllen Performing Arts Center (10/10-10/10) |
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Harvey BASTROP OPERA HOUSE (8/06-8/22) |