Review: RISE '76: THE STORY OF JUNE 16TH at Baxter Studio
A haunting and powerfully human portrait of the Soweto uprising
Tiisetso Mashifane wa Noni’s RISE ’76: THE STORY OF JUNE 16TH is a searing and deeply affecting piece of theatre that confronts the horrors of Apartheid with intelligence, artistry and emotional force. Beautifully written and masterfully directed, the production draws audiences into the tense and painful atmosphere surrounding the 1976 Soweto uprising, while never losing sight of the humanity of the individuals caught within it.
The ensemble cast (Featuring: Zilungile Mbombo, Deon Lotz, Mfuneli Ntumbuka, Sbuja Dywili, Ben Albertyn, Alex Sono and Botlhale Mahlangu) delivers exceptional performances, each actor creating a distinct and memorable character with their own perspective on the unfolding events. At times the cast moves and speaks together like a powerful Greek chorus, amplifying the collective fear, anger and grief of a generation. In quieter moments, their voices become intensely personal and expressive, often moving the audience to tears.

Visually, the production is striking. The sepia-toned projections designed by Xolelwa Nhlabatsi add texture and historical resonance, while the projected words above the stage create a haunting reminder of the political machinery driving the oppression. The simple yet highly effective set by Leopold Senekal is utilised with remarkable imagination, constantly transforming into new locations and emotional spaces through fluid staging and movement.
The physical movement of the actors is another standout feature. Patterns shift seamlessly across the stage as performers create classrooms, streets, meetings and moments of confrontation with extraordinary precision and energy. Every transition feels purposeful and alive, contributing to the relentless momentum of the production.
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What remains most powerfully after the final scene is the emotional impact. RISE ’76 is not only an important historical work; it is also a profoundly moving reminder of the brutality inflicted during South Africa’s Apartheid past. The production leaves one horrified by what was done, yet deeply grateful for theatre that continues to keep these stories alive with such honesty, artistry and urgency.
Premieres at the Baxter Theatre Studio from 8 to 30 May 2026, before transferring to the Market Theatre’s Mannie Manim from 5 to 28 June 2026.
Tickets available on Webtickets at R150 – R250pp
Booking link: https://www.webtickets.co.za/v2/event.aspx?itemid=1592269066
Photos: Websearch. (Instagram Preview)
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