Museum of The Moving Image Hosts The Rural Route Film Festival, Now thru 8/4
Whether it be a modern-day western set in a Chilean desert, a documentary about two Chinese women thrust into the worldwide economic downturn, or a drama about a forced marriage in a Senegalese village, the Rural Route Film Festival screens work about people and cultures normally overlooked by the mainstream media.Museum of the Moving Image will continue its partnership with Rural Route Films, to present the ninth edition of their annual film festival, from today, August 2 through 4, with screenings of 28 films from 13 countries, including five feature films and a program devoted to the late American documentarian Les Blank. This year, the festival will also have an outdoor component at the Museum, with free live music and local food for purchase in the Museum's new George S. Kaufman Courtyard.
Opening night of the festival at the Museum tonight, August 2, will be a tribute to Les Blank, the award-winning American director, producer, and cinematographer who died in April of this year. The Museum will screen three of Blank's best-loved films-Werner Herzog Eats His Shoe, Dry Wood, and Garlic Is as Good as Ten Mothers-followed by a conversation with Mark Toscano, Academy Film Archive Preservationist, who oversaw the restoration of these and other films by Les Blank, and Blank's son Harrod Blank, who will share a preview of a work-in-progress biopic about his father, Les Blank: A Quiet Revelation. This program is part of a city-wide celebration of Blank's work; additional screenings will take place at the Academy Theater, Brooklyn Academy Of Music's BAMcinématek, and Union Docs. Other highlights of this year's festival include:• the New York premiere of Baikonur (2011), German director Veit Helmer's offbeat science-fiction romance shot on theKazakh steppes and the Baikonur Cosmodrome, where Russia launches its rockets into space;
• Tall as the Baobab Tree (2012), a film by Jeremy Teicher (who will appear in person) set in Senegal, about a young woman who tries to save her eleven-year-old sister from an arranged marriage. The film was the much talked-about Closing Night film of the recent Human Rights Watch Film Festival;
• a new DCP restoration of Fitzcarraldo (1982), Werner Herzog's stunning epic starring Klaus Kinski as a deranged European businessman obsessed with building an opera house in remote Peru;
• winner of Best Film at the inaugural First Time Fest, Salt (2011), directed by Diego Rougier, a modern-day western set in Chile's Atacama Desert, following a Spanish director trying to develop his screenplay who is mistaken for a local gunslinging hero;
• Marlo Poras's documentary The Mosuo Sisters (2012), an intimate portrait of two spirited daughters from one of the world's last remaining matriarchal societies in the foothills of the Himalayas, with filmmaker in person, paired with Felt, Feeling, and Dreams, a short film about a community of Kyrgyz women who pull themselves from poverty by makingbeautiful felt rugs, with director Andrea Odezynska in person (who will bring some of the special rugs) ;
• and additional short films from Canada, Ireland, Finland, Germany, and the United States, paired with each of the feature presentations.

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