Diego Rivera: Murals for The Museum of Modern Art to Open 11/13
NEW YORK, August 16, 2011-For the exhibition Diego Rivera: Murals for The Museum of Modern Art, MoMA will reunite five "portable murals"-freestanding frescoes with bold images commemorating events in Mexican history-that were made for a monographic exhibition of the artist's work at the Museum in 1931. On view from November 13, 2011, to May 14, 2012, the exhibition will also feature three eight-foot working drawings, a prototype "portable mural" made in 1930, as well as smaller working drawings, watercolors, and prints by Rivera. It will also include design drawings for his infamous Rockefeller Center mural, a project Rivera began to discuss with The Rockefellers while in residence at the Museum. Comprising works from MoMA's collection and loans from private and public collections in the United States and Mexico, Diego Rivera: Murals for The Museum of Modern Art is organized by Leah Dickerman, Curator, Department of Painting and Sculpture, The Museum of Modern Art. MoMA is the exhibition's sole venue.
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Uprising (1931), Frozen Assets (1932), and Electric Power (1932). The three remaining murals in the series are Liberation of the Peon (1931), Sugar Cane (1931), and Pneumatic Drilling (1932).
Accompanying the murals and drawings, the exhibition will feature archival materials, including designs and photographs drawn from MoMA's archives, related to the commission and production of the works.SPONSORSHIP: The exhibition is supported by David Rockefeller and by The Mexican Friends of Rivera: Roberto and Aimée Servitje and Yvonne Dadoo de Lewis. PUBLICATION:
In November 2011 the publication Diego Rivera: Murals for The Museum of Modern Art will accompany the MoMA exhibition. The richly illustrated accompanying catalogue presents each of the eight frescoes in detail. An essay by curator Leah Dickerman discusses the history and context of Rivera's fresco works; his political engagements in Mexico, the United States, and the Soviet Union; and his complex interactions with patrons. Anna Indych-López, a specialist in Mexican modernism, considers each of the eight panels. Conservators Anny Aviram and Cynthia Albertson examine Rivera's working process, materials, and technical innovations. Also included is a selected chronology of the artist's life and work, focusing on the events that led to his New York show. Together these elements provide a compelling perspective on the intersection of art making and radical politics in the 1930s. 148 pages, 128 illustrations. Hardcover, $35. Available at the MoMA Stores and online at www.MoMAStore.org. Distributed to the trade through ARTBOOK | D.A.P. in the United States and Canada. Support for the publication is provided by The Museum of Modern Art's Research and Scholarly Publications endowment established through the generosity of The Andrew W. Mellon Foundation, the Edward John Noble Foundation, Mr. and Mrs. Perry R. Bass, and the National Endowment for the Humanities' Challenge Grant Program.
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