3rd Annual Voice Performance & Choreographic Theatre Workshop Held In NY
The Third Annual Voice Performance & Choreographic Theatre Workshop held in NYC.
What people say about PanNYC Workshop:"Working with Linda Wise and Enrique Pardo has had a profound influence on me as an actor and teaching artist. Their work teaches that there are no bounds to voice, imagination, or physical life. It is fundamental work for every actor interested in connecting to breath and impulse." - Grace Zandarski(Actor, Acting Faculty, Yale School of Drama)
"...my voice was able to find paths of ease as I opened into sometimes jarring vocal `spaces`. The opening required a very active and physical use of my actor's imagination." - Beth McGuire
(Actor, Acting Faculty of Yale School of Drama)
Full Registration
$900
Early Bird - Before April 24th
$750
Partial Registration available
Collaborators website: www.pantheatre.com www.nettlesartists.com
Teacher's Bios:
Enrique Pardo Linda Wise
An application process is required to participate and it should be sent via email attachment along with resume and letter of motivation
Space is limited!
May 20th-29th 2011
Early Bird Registration till April 24th
Payment Plans available!
Nettles Artists Collective is once again proud to bring to New York, Enrique Pardo and Linda Wise, founders and directors of Pantheatre based in Paris and at Malérargues (The Roy Hart Centre, Southern France). With extensive work in the European scene, these two directors will incorporate moments of ensemble and individual work on all aspects of the performer's craft, including voice, text, singing, acting, expression, emotion, movement and music.
Voice Performance, taught by Linda Wise, involves dynamic blend of technical finesse and expressive risk in extended voice ranges (including Roy Hart Techniques). The training will develop vocal improvisation, text renderings and dramatic musical compositions.
Choreographic Theatre, taught by Enrique Pardo, integrates voice performance and text into movement ensemble work. The training includes chorus composition disciplines, the deconstruction of texts and disassociation exercises. How to free the voice while "setting up" the texts and the actors.
Pantheatre defines its aims in terms of "the affirmation of personal genius - character and musicality - and a commitment to what one has to voice, be it in speech, song, scream, silence, image or movement, or their synthesis in choreographic theatre".
Special guest pianist Saso Vollmaier will be leading us through out the workshop and final presentation on May 29th!
This work is for an "advance/professional" level - not necessarily in terms of technical proficiency or even performance experience, but rather in terms of personality and capacity to take risks (both psychological and professional).
All Pantheatre training hours are valid for both Pantheatre and Roy Hart Centre Certificates.
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