Review: WIPERS, Belgrade Theatre Coventry, May 12 2016

By: May. 16, 2016
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Inspired by the true story of the first South Asian recipient of the Victoria Cross, soldier Khudadad Khan single handedly held off advancing enemy troops at the battle of Ypres (or Wipers) in the First World War, whilst a group of British and South Asian soldiers took refuge in a disused barn. Ishy Din's remarkable new play does not solely focus on Khan but he's consistently referred to in extremely high regard. The four soldiers who uphold the story have been ordered to take sanctuary until the gunfire ceases but until that time, they must find a way of pulling together to survive.

Isla Shaw's set design looks stunning on the B2 stage at the Belgrade Theatre, Coventry - one of three theatres who have produced this piece, along with Curve, Leicester and Watford Palace Theatre. Essentially just a shell of a derelict barn, it still seems solid somehow; perhaps feeding off the characters within it. The split level provides a visual contrast and the level of detail must be applauded. Prema Mehta's lighting is natural and the use of back lighting from upstage shining through the barn framework is hugely effective.

The dialogue is witty and poignant in equal measure and director Suba Das' realisation of Din's script is exceptional. As an audience member, you are fully immersed in the setting from the outset. It's a feast for the senses; including an amusing exchange between two soldiers where dahl is prepared live on stage. The smell coming from the food onstage is heavenly and makes you realise how important a hot meal must be for the soldiers. There is an intensity instilled throughout the play which is difficult to shake off but there are conversations between soldiers which distract you temporarily to focus on their relationships with one another. The show is completely in English but different accents are instead used to reflect the language that is being spoken. When conversing with one another, the South Asian soldiers adopt a British accent representing their mother tongue but when speaking to the British officer, they have Asian inflections in their delivery. It is cleverly done and crystal clear in its direction. The language barrier is clearly an issue in part but ultimately, they have one common goal and that is as stronger bond as any: survival.

The individual characters are strong and each has the opportunity to shine. Jassa Ahluwalia plays Thomas, a young British soldier with authority that he hasn't quite got used to yet. He is an awkward character and is scared easily but his inner strength is formed by those around him. Sadiq is the Lance Naik (equivalent to Lance Corporal) and is played exceptionally by Simon Rivers. He is the most experienced of all the men but even though a strong exterior dominates, he is harbouring a difficult past leading up to his enlisting. Sartaj Garewal as AD doesn't speak any English so his scenes with Thomas are particularly humorous. He is the comedic relief within the play and the voice of reason for Sadiq. Ayub, played by Waleed Akhtar, is also fairly 'green' in comparison to the others but he has clear beliefs and passion for his heritage and country. He is able to turn Thomas' head when discussing the relationship between Britain and India.

A terrific, thought provoking and emotional play, performed by a stellar ensemble cast.

Wipers plays at Belgrade Theatre until Saturday 21st May 2016.



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