From Coco Chanel's 1926 Ford dress, Audrey's Breakfast at Tiffany's, Lady Di's revenge dress to Liz Hurley's jaw dropping, safety-pinned Versace, the little black dress' silhouette has changed over the years. And given how often and in so many difference circumstances a LITTLE BLACK DRESS can be worn, most likely there are many important life-changing moments during which the memory of wearing it at that time opened up the capacity for limitless personal reinvention. No doubt every woman, and probably a few men, have a little black dress in their closet just waiting for the next moment when the right wrap, jacket or string of white pearls to adorn it will create another life-long remembrance. That LBD is the inspiration behind LITTLE BLACK DRESS The Musical, a world premiere production at the Kirk Douglas Theatre in Culver City through December 15.
At the elegant Soroya Theatre in Northridge, CA, Martha Graham's Dance Company, under Artistic Director Janet Eilber's seasoned guidance, performed a most incredible group of works.
Some were originally created approximately 80 years ago, by Martha Graham, a true icon in the Dance world. The EVE Project, as this evening, March 2nd, 2019 was entitled, gave us a wide variety of themes within a theme, that being Women and their significance, their power, their passion and their strength. It was polished to perfection, and each piece carried many meanings and concepts and was just so beautifully performed and articulated.
The Martha Graham Dance Company is the oldest contemporary dance company in the United States, founded in 1926. Since it's inception it has explored and encompassed political and humanitarian issues, as well as affairs of the heart and human interactions, while creating a prolific dance technique that is unequaled in it's scope. Graham created a total of 181 ballets during her long career, and is recognized as a primal artistic force of the 20th century, being named in 1998 as 'Dancer of the Century' in Time magazine, and labeled one of the female 'Icons of the Century' by People Magazine.
Mae West was definitely a woman who played by her own rules in all aspects of her life. She dismissed barriers, boundaries, fears, judgements and prejudices and always believed women needed to be in charge of their own lives. Her play SEX was both outrageous and pornographic in 1926, full of playfulness and lots of camp as well as topical storytelling about the battle of the sexes. As the show's director Sirena Irwin shares, "SEX is a story of survival, imprisonment, fear, revenge, transformation, freedom, and love. It is a feminist perspective from nearly 100 years ago that invites us to reflect on where we've progressed and where we've stagnated. Mae West, in her wisdom, tried to open minds with humor and heart."
They sing, they dance, they have no values.
With a fearsomely coherent exhibition, the Neue Galerie transports its visitors to the streets, theaters, and artists' studios of 1918-1933 Berlin.
Too Many Husbands by W. Somerset Maugham plays June 24 - July 16, 2011 at The Vortex, 2307 Manor Rd. map Thursdays - Saturdays at 8 p.m., Sundays at 2 p.m.
Andrew Upton and Cate Blanchett today announced Sydney Theatre Company's 2011 Main Stage Season, their third as Artistic Directors of the Company, comprising twelve diverse shows at Sydney Theatre, the Drama Theatre at the Sydney Opera House and The Wharf.
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