Set in the magical world of La Belle Epoque in turn-of-the-century Paris, GIGI is a timeless romantic comedy about a young woman groomed in the custom of her family to be a companion to a bored, wealthy playboy, until the two unexpectedly realize this is in fact true love.
This year marks the 40th Anniversary of the debut of Gigi on Broadway. Lerner and Loewe's Tony Award-winning score was first heard in the 9-time Academy Award-winning Best Picture of the same name, directed by Vincente Minnelli. The movie, which was the last of the classic MGM musicals, was based on the Broadway play by Anita Loos and the popular novella by Colette.
Alan Jay Lerner and Frederick Loewe's beloved musical GIGI will return to Broadway in a production directed by Tony Award-nominee Eric D. Schaeffer (Follies), in a new adaptation by acclaimed British playwright and Emmy-nominated screenwriter Heidi Thomas ("Cranforde," "Upstairs Downstairs," "Call the Midwife".)
...in order to save the score, the creators of a new 'Gigi'...have done a gut renovation on the book by Colette. They've taken out the creepy factor, but they've taken out the zing, too. 'High School Musical' star Vanessa Hudgens does pretty well in her Broadway debut, handling her singing duties admirably...She's game for a cartwheel or sprinting across the stage, but she might want to lose the strange accent since no one else is doing it. She's surrounded by good actors, too, including a head-turning performance by Corey Cott, who proves a terrific actor and singer in a frothy show, as well as the always-wonderful Victoria Clark and a gloriously catty Dee Hoty. Direction by Eric Schaeffer is crisp...and choreography by Joshua Bergasse is excellent...Derek McLane's set of sweeping, iron-lattice stairs and lots of parasols is beautiful, and Catherine Zuber's gowns and foppish suits are very becoming. All the parts are good. They just, maddeningly, don't add for a stunning show.
There is one performer who creates a small center of warmth and feeling, the wonderful Victoria Clark, as Gigi's loving grandmother. When she and Hoty join for a duet on 'Little Girls,' the two theater veterans give us a glimpse of the pleasure musical theater can provide. (The song belonged in the film to Honore, but having an elderly man sing a paean to pre-adolescent females obviously no longer seemed advisable.) Clark, who has a lovely voice, also created a special moment with her solo on 'Say A Prayer.' Otherwise, 'Gigi' is the night the Champagne went flat.
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